2019 Albums

Album Review: Horrific Demise – Excruciating Extermination 8.8 (Brutal Death)

I can’t imagine this album not being up to the standards of the modern metalhead. It’s a good length with a distinct sound drawing from both old school and modern influences. It doesn’t use trendy techniques or gimmicks, it just nails down some solid as fuck death metal. It has good presentation and perfect production. Horrific Demise could very quickly become a heavy hitter within the metal scene, especially with such early label support from Comatose Music. […]

2019 Albums

Album Review: Shadow Of Intent – Melancholy 8.5 (Deathcore)

After reviewing a few black metal records on this site I figured i’d change it up a bit, after all I enjoy all types of extreme metal, including deathcore. Deathcore is easily one of the most controversial extreme metal genres, because everyone has very strong opinions about it. I enjoy a great deal of deathcore myself, despite some of the more boring and generic bands and records in the genre. One of the biggest bands in the genre right now is Shadow Of Intent. Much like the genre they play, opinions on them are very divided. […]

2019 Albums

Album Review: Humanity’s Last Breath – Abyssal 9.5 (Deathcore)

This album came out of nowhere and slapped me across the face. Prior to this being released, I had never even heard this band before. But over the past week or so since it came out, I’ve been listening to it nonstop and it has quickly skyrocketed to the top of my favorite albums from this year so far. I can’t see anything else topping it as the unexpected favorite of this year for me. […]

Interviews

Australian Heavypedia: Crypt Crawler (Death Metal)

Crypt Crawler are newcomers to the scene having starting producing singles in 2018 but they’ve sure as shit started with some quality songs. They have a DIY approach to their music that gives it an authentic rawness but there’s also a level of proficiency that brings with it a clarity to the sound. Their 2019 debut LP To The Grave can easily contend with many international releases in 2019 despite not having the aid of a label. […]

2018 albums

Album Review: Whoretopsy – Take My Breath Away 8.5 (Brutal Death)

Whoretopsy recently got a new vocalist and I have to say right off the bat that he sounds awesome. The style is far more hardcore influenced than a lot of the brutal and grind death still around, it’s a really nice blending of genres that doesn’t shift hard enough to ever betray what makes them so metal. From Australian accented hardcore shouts to full blown pig sequels, it’s all here and it all feels valid. Musically they are technically proficient and playful, just down-tuned to hell. They often qualify under death metal and grindcore in equal measure, some more purist metalheads might not enjoy this offering but I consider it refreshing and a heap of fun. They embody “Australia” in a lot of ways – often sarcastically which in it’s self is very Australian. Nothing here is done without anger coated humor or humor coated anger. […]

2019 Albums

Album Review: Hate – Auric Gates of Veles 8.3 (Black Metal)

Despite having formed a year earlier than Behemoth, Hate has always been in the shadow of their more distinguished compatriots. As it is very common within this domain, they have undergone several (read many) personnel changes. But approximately three decades into their career, they have established themselves with stumping iron feet and bellowing screams of triumph. It was in 2017 that they released Tremendum, a paradigm-shift in their long career and a praiseworthy album for certain. 2019 marks a second step toward their new destination; it is Auric Gates of Veles that further emphasizes their trajectory away from the so frequent themes of sacrilege and toward a more deeply pagan sphere, in particular probing and reflecting the Slavic rituals and folktales, at the same time having an eye on lesser known tales of other parts of the world. […]

2019 Albums

Album Review: Swallow The Sun – When A Shadow Is Forced Into Light 9.5 (Doom Metal)

Four years after the release of their magnum opus Songs from the North, a triple album introduced in 2015, and after the tragic demise of Aleah Starbridge (the front man Juha Raivio’s life partner and Trees of Eternity’s lead vocalist) in 2016, the Finnish death-doom giants have returned with an album which leaves no heart untouched. A short while ago, late 2018, a single album was put forward which best depicted the dark depths of their sorrow: Lumina Aurea, a heart- wrenching blend of black and funeral doom with dashes of folk created by Einar Selvik of Wardruna. […]