Written by Kep A few weeks back on Twitter I floated the idea of ranking the discography of Italian symphonic death metal titans Fleshgod Apocalypse. I rank discographies via tweet thread periodically without issue, but this […]
The year was 1991. The band was Skyclad. The album was The Wayward Sons of Mother Earth. And thus was born a thrash metal gem, and also the genesis of Folk Metal. I reckon this album slays. […]
The Band – Nuclear AssaultThe Album – Survive (1988)Lineup: John Connelly, Guitars, Vocals | Anthony Bramante, Guitars | Dan Lilker, Bass, Vocals (backing) | Glenn Evans, DrumsCountry of Origin – United StatesGenre – Thrash Metal […]
My own band, Aeons Abyss is evolving from a studio project, to a live playing outfit … and I am thrilled that our bass player, Leigh “wukong gamesh” has some serious punk metal hardcore leanings. […]
Do you feel like watching an 80s Heavy Metal movie about selling your soul to the devil for metal, and coming back from the grave through your Hi-Fi speakers? […]
If you threw Terrorizer, Napalm Death, Carcass, Cannibal Corpse, SOD and Nuclear Assault in a time machine blender and went back to the early 90s, you’d pour out a nice glass of Brutal Truth, and their standout album from 1992, Extreme Conditions Demand Extreme Responses (released on Earache). […]
Other notable releases from 1992 for context – Soul of a New Machine (Fear Factory), Vulgar Display of Power (Pantera), The End Complete (Obituary), Images and Words (Dream Theater) […]
When talking about Dutch Death Metal, most people will rightly cite Pestilence, Asphyx and Sinister as their go-to legacy bands (and the likes of Graceless as the newer generation). But for those of us who were kicking around in the early 90s, there was another Dutch master in the mix; Gorefest. […]
So back in 1991 there was a gigantic ripple in the Death Metal scene. An album recorded at Morrisound Studios was released. It featured band members who had been in Death, and who were heavily affiliated with the Florida metal scene since the early 80s. Oh yeah, and the singer claimed to have invented the Death growl (or vokills, as Kam Lee called it). And the word on the street was that the music on the release was all written between 1984 and 1986 and the songs were well known in the local scene, and the band was infamous for a particular song about having sex with a corpse. […]
Morgoth came to me through the late night Aussie music video show, Rage, on the ABC (Australian Broadcast Corporation). Most Saturday nights, around 3am they would play maybe ½-an-hour to an-hour of metal; it was great. I would set up the family VHS on long-play-record, and let it run overnight. First thing in the morning, I would grab some brekkie, and fast forward through the crap, and then normally after the grunge segment (that was pain), it would be metal time. […]
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