Written by Kep Phasma – EpialesDeath metal/deathcore from the US / GreeceReleasing March 26 via independent/self-release If I know one thing about metalheads it’s that most of us are gigantic nerds. High fantasy? We love […]
Written by Kep Crown Magnetar – Alone in DeathDeathcore from Colorado, USReleasing March 25 via Unique Leader Records Seventeen seconds. That’s as long as Crown Magnetar can be bothered to wait before they commence pummeling the listener with the […]
Written by Kep Burned in Effigy – Rex Mortem Melodic death metal from Illinois, USA Releasing January 28 via independent/self-release Okay, so here’s the thing: melodic death metal has become a bit of a punchline in modern […]
October 29th was a BIG release day for metal. There were new drops from Archspire, Whitechapel, and much more. Pickings were not slim this week, but let me tell you First Fragment stole the fucking show. It must be something in the water up in Canada cause they’re loaded with the best tech death you could ask for. […]
Written by John Angel Burial in the Sky – The Consumed Self Prog/tech death from Philadelphia, PA Released August 13, 2021 Via Rising Nemesis Records 10/10 If you ask most metalheads what the first melodeath* […]
Written by Kep Fleshbore – Embers GatheringTechnical death metal from Indiana, USAReleasing August 13 via Innerstrength Records(8/10) When I download a new promo for review, I always put it on my phone so that I […]
This is so damn near perfect. This is one of those records that feels like it was custom built for me. I can’t wait for this album to come out so you guys can experience this with me. In the meantime, make sure to clear a spot on your best list, because this will be on there. I mince no words when I tell your this record is nothing short of breathtaking. […]
Written by Kep Deadman Glory – Voyager Technical death metal from Russia Released June 27 via independent/self-release 8.5/10 I’ll be honest, I had no idea what to expect from Deadman Glory’s debut release Voyager. The […]
Techdeath has long been my favorite of the death metal subgenres. There’s something about the in-your-face aggression combined with the finesse of rhythmic trickery and masterful technique that just hits my ears the right way. The problem, though, is that the space is distinctly oversaturated in the grand scheme of metal. You can’t throw a guitar pick without hitting a new technical outfit square in the chops. There are whole labels (*glances sideways at The Artisan Era*) that seem to be dedicated to cranking out tech act after tech act. It’s a hard scene to stand out in, is my point. […]
Going into this record, I knew there was no way I wasn’t going to love it. The reason for that comes in knowing who Hannes Grossmann is, and if somehow you don’t, let me tell you! Hannes Grossmann is a legendary death metal drummer, having been a part of Necrophagist, Obscura, Hate Eternal, and Triptykon to name a few. He also has some great production credits under his belt, like the last Gomorrah album, or most recently, the fantastic new Mother Of All album. With a pedigree that stacked, my expectations are always sky high for his work. […]
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