Xeno Ooze are a unique new force in the grind underground. They formed in 2018 – making this their very first LP, but you couldn’t guess that just from listening. I love the level of vocal commitment on this album, it’s a hardcore style that sounds super throaty. It plays well the trebelled out mix of lofi grind and sludge riffage. It’s also a lot of fun, something important for any grindcore album no matter how bad ass the covers get.
Brisbane has been coming out with some pretty awesome metal lately and Eternal Rest are no exception to this. Their third album The Picture Of Hatred has a lot to boast about for a band from such a humble part of the world (arse end of Australia, I’m here too so I can admit it) such as having this release on the American label Gore House Productions, album art from french artist Remy Cooper and being mixed by the iconic Dan Swano (what?!). With this in mind you might be imagining something quite fancy or even melodic… Yeah nah, this album is filthy, often finding itself on the grind side of death. There’s a sense of nihilism and discomfort, so naturally I enjoy it.
Well that was unsettling. Ploughshare play a fucked kind of black/death/sludge metal that will make you feel physically unsafe even in the comfort of your own home. Tellurian Insurgency is their brand new EP through Aussie label Brilliant Emperor and it releases on the 29th of November. Not an album for the easily scared, if this is you, then turn your radio back on and continue listening to Kyle and Jackie-O, you clicked the wrong social media link. Happens to the best of us.
Now these are tremolos I can get behind. Third Chamber are basically a death metal supergroup and that’s a fair enough status considering the calibre of this EP. They’re somewhere between pure Cannibal Corpse and Knocked Loose, which as you can imagine is very intense and diverse. Harvesting Out Decay is pretty much the kinder surprise egg of death metal. Keep an eye out for this one on the 22nd of November and get in on that cassette pre-order, it looks incredible.
Well this is a hit, there’s death metal for the whole family on Enraged and Unbound, the dad and uncle that still listen to The Big 4 and Morbid Angel, the the older son who likes it a bit more technical, and the youngest of the children becka with the Disentomb tee who likes it fucking dank and filthy. It has guest vocals by death metal growlers Julien Truchan from Benighted and Sven de Caluwé from Aborted. The album art is a work made by the incredible Eliran Kantor. This album is like the heisenberg recipe of pure death metal and it comes out November 22nd on Willowtip Records.
It’s been a few weeks since I’ve covered a straight up rager on this site, so when I heard “The Tether’s End” by Remission, i knew I had to talk about it. Remission are a death metal band with some thrash influences and melodic death metal textures. This is their debut album and it’s set for release on November 15th. This is one you aren’t going to want to miss!
The hype is insane on this one, so I’m excited for everyone else as I listen to Blood Incantation’s new album Hidden History of the Human Race for a pre-release review. The moment I pressed play the silence was broken so abruptly that it legitimately frightened me, so early signs are promising. I also have a fondness for bands that use long and mysterious titles and track names which Blood Incantation understand and deliver on. Cosmetically The Hidden History Of The Human Race is top notch.
Blackwater Burial have released a solid tech death record with crazy good musicianship. The guitar and bass work here is incredibly technical, but it never feels unnecessary or wanky, everything fits incredibly well. It’s mixed nicely so all the individual layers stand out nicely. The vocals are these low growls with a nice bit of clarity to them. They are brutal and very well performed, but i can make out a lot of the lyrics which is always appreciated.
To end the week we have the new project from blackened death unit Vale Of Pnath. Despite how good this is I don’t have loads say about it, It’s an amazing death metal EP with a pitch black atmosphere. The vocals are this high screech and the guitars cross the heaviness of death metal with the trademark iciness of black metal guitar leads. There are a lot of dark themes explored in the lyrics, which are actually pretty easy to decipher as the vocals are very clear, which is always a plus. Cool ass cover art too, props to these guys.
Rings Of Saturn have been around for a bit perfecting their insane brand of techno death metal, and with this latest album they prove they can soar alongside current titans Infant Annihilator and Cattle Decapitation. 2019 keeps upping the vocal game and setting an insane standard that most just can’t compete with. Add an overgrown child prodigy of a guitarist and you’ve got the essence of RoS, it’s excessive… and fancy. Utilizing brutality with finesse rather than toxic bravado. I’ve heard so many albums try to reach this peak but fall short, so it’s not without pause that I consider this one of the greatest tech death works of like… the decade? Imagine if Dragonforce was good.