Earth Eater are a pretty eclectic deathcore group, they tackle several styles, but it all comes together very well. That is probably pulled off due to the overall talent of all the members here, everyone is obviously extremely proficient with their instruments. There are parts of this that sound like slamming deathcore, and technical deathcore, and even metalcore, the track “Longclaw” even brought in some classical instrumentation. It’s produced very well, it sounds immaculate.
Here in the states and surrounding countries, winter is coming on. Hell, depending on where you are, you might already be getting the brunt of it. With winter comes changes, like the weather, and the holidays, and the very distinct difference in mood, atmosphere, and aesthetic. I find black metal to fit winter quite well, so naturally I jam a lot of black metal around this time of year.
I don’t know what it is about violins in metal that I love so much, but It’s amazing. Here we have a violin lead folk metal band called The Night Watch. This is their third LP, and it’s set for release this Friday, you don’t wanna miss it!
It’s been a few weeks since I’ve covered a straight up rager on this site, so when I heard “The Tether’s End” by Remission, i knew I had to talk about it. Remission are a death metal band with some thrash influences and melodic death metal textures. This is their debut album and it’s set for release on November 15th. This is one you aren’t going to want to miss!
Munt sit in an extremely niche style of extreme metal, I niche I enjoy quite a lot. That is blackened deathgrind. The most easily recognizable example of this genre is probably Full Of Hell. It combines the raw intensity and speed of grind with the overbearing evil murky atmosphere of black metal.
The vocals here sound fucking ungodly dude. It’s these evil high pitched black metal screams that are just as sporadic and intense as the blasting drums. In true grind fashion this is ruthlessly heavy, not once does it let up. Definitely good stuff.
Blackwater Burial have released a solid tech death record with crazy good musicianship. The guitar and bass work here is incredibly technical, but it never feels unnecessary or wanky, everything fits incredibly well. It’s mixed nicely so all the individual layers stand out nicely. The vocals are these low growls with a nice bit of clarity to them. They are brutal and very well performed, but i can make out a lot of the lyrics which is always appreciated.
Opposites attract is a cliche that has long applied to metal music. Crossover and fusion genres are a huge part of metal and do a lot to keep the genre interesting. From crossover thrash, to the numerous core genres, to folk metal, the possibilities are endless. The band we will be talking about today mixes quite a few genres for a very unique sound. Their Facebook biography describes their sound a lot better than I ever could, so here’s a excerpt, “Exulansis forms a nuanced variation of antifascist black metal, doom, crust, folk and chamber music by presenting acoustic elements with rapid blast beats, soaring melodies and dark harmonies.”
So to end off the week, we have a band I never really saw myself talking about. Yeah, Vulvodynia just put out a really fucking good record. They’re one of the biggest, if not THE biggest name in slamming deathcore. They are super genuine guys, but for some reason the tunes never connected for me, but that has definitely changed with this new album.
I love coming across albums that are very long, but feel like nothing. Albums you can just sink into and lose yourself in are the absolute best. A prime supplier of records like these are post-black metal and atmospheric black metal in general. White Ward fit this quite well with their new album “Love Exchange Failure” that eclipses an hour in length with only 7 tracks to its name.
Progressive death metal is a very underrated subgenre. I think it’s sort of overlooked because it’s pretty hard to classify, I often think of it as all encompassing yet forward thinking death metal. Every year there’s at least one progressive death record that absolutely blows me away. Last year it was Where Owls Know My Name by Rivers Of Nihil, this year it’s The Door by Messora.