Carcassbomb's Reviews

Aussie Heavypedia: Interview with Dyssidia (Progressive Metal)

I am really happy to do my second phone interview and it couldn’t have been with a more chill person. I had a chat with vocalist Mitch Brackman from Dyssidia who have just released their debut LP on the 17th of March after a decade of EPs and playing live with bands like Opeth and Katatonia. Their new album Costly Signals is an impressive work, I reviewed it recently here and I can’t get enough of it. It’s an essential listen. We talked about a good range of things like the writing process, interpreting art, touring in Australia and of course Covid-19 and the effects that’s been having on the creative process. Mitch says to keep your chin up and make content. […]

Death/Doom

Metal Redux: Cemetary – An Evil Shade of Grey (Death/Doom)

An Evil Shade of Grey is an outstanding and very listenable Swedish Death Metal album with a genuine element of uniqueness. This comes from its tastefully written melodic riffs and song structures, that are layered with atmospherically textured elements, and all combined to create a gloomy ethereal listening experience. The production is dynamic and intelligent, accentuating moments within each track to compliment lyrical themes (a very strong point of the album), whilst also creating a perfectly crafted sense of melancholy. Although Cemetary have been labelled Death / Doom Metal, this album also has some Black Metal elements floating just beneath the surface.
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2020 Albums

Album Review: God Dethroned – “Illuminati” 5/10 (Melo Death)

Do you like overt lyrics about secret society chanted over meldo death? Do you like the rhythm elements of Rivers Of Nihil minus the progressive flair? Then say no more, I’ve got you covered with the new God Dethroned. It constantly switches between being really heavy and being a bit limp. At its peak it works these two sides together to make a dramatic record. Not necessarily a very good one. […]

2020 Albums

Album Review: Dopelord – “Sign Of The Devil” 6/10 (Stoner Doom)

Just earlier this year when I reviewed the latest Major Kong album I was asking why there isn’t more theremin used in doom metal, well here’s my answer. Another great doom entry with a high pitched aesthetic and a playful sound. Get ready to ride the satanic wave in a relatively chilled out fashion. It doesn’t exactly challenge anything but that doesn’t bother many doom fans. It’s more of the good stuff from indie legends. […]

2020 Albums

Album Review: Fires In The Distance – “Echoes From Deep November” 7.8/10 (Death Doom)

A dashing debut album that ranges from gothic doom to melodious death doom with equal finesse. There’s a lot of nice tones on this album with what sounds like some real keys instead of symphonics. It’s very atmospheric and in the realm of Katatonia and Amorphis fandom which we all love. We’ve got a really nice piece of art here done by Caelan Stokkermans who I have covered previously. Not sure if they did the design as well but I love the logo and album title typography. […]

2020 Albums

Album Review: Dyssidia – :Costly Signals: 9/10 (Prog Metal)

Australia is no stranger to progressive metal with bands like Ne Obliviscaris, Be’Lakor, Caligula’s Horse and a bunch more. Dyssidia have produced what very well may be the best progressive metal album of the year. It’s huge and it’s full of outsider influences that help skirt the usual trappings of the genre. The album art is by Adam Burke who I will never get tired of, his style is as versatile as this album. […]