2019 Albums

Chilean Death metal: Weight Of Emptiness Release New Video

Welcome to the first news post of many to come, Noob Heavy has been intending to broach the world of news for a while now and what better place to start than a submission from Chile. In 2019 Chilean metal really made its way onto my radar with it’s politically fueled and always interesting music culture so I’m happy to start 2020 by bringing something from South America to south of the equator for all of my friends to see. […]

2019 Albums

Album Review: Bull Elephant – Self-Titled 8 (Prog/Doom)

There isn’t much information as to the identity or location of Bull Elephant, as they choose to stay anonymous. Their debut record is a concept album, and despite having listened to this record several times I still couldn’t tell you what’s going on in my own words, but their Facebook bio sums it up pretty well, “Bull Elephant is the story of a slain African elephant that occultist Ahnenerbe SS attempted to bring back from the dead as a new form of battle asset. However, before re-animation could be completed it was intercepted by a mysterious witch-shaman, pursuing her own agenda and redirecting the undead creature’s purpose.” […]

2019 Albums

Album Review: Crusadist – The Unholy Grail 7 (Death/Thrash)

A solid name combining the ideas of violent holy crusades and pure human sadism, Crusadist are a Chicago based death metal band with a helping of thrash influence. Their debut LP The Unholy Grail is generally a modern style of death metal but with the old school thrash metal hooks. It’s here that people may divide, depending on how they feel about thrash metal in general, personally I find it to be a stagnant genre that brings a lot of repetition to this album. Others may say it brings more groove to the album. In reality, it’s likely to be somewhere in between with the solid mixing and recording evening it all out. It’s an interesting album either way and a hearty independent release, check out the new lyric video for the track “For Blood And Conquest” below. The Unholy Grail drops on black friday 2019 (29th November). […]

2019 Albums

Album Review: Hell Yeah – Welcome Home 7 (Groove/Southern)

It was back in 2012 or so that the American super-band HELLYEAH (consisting of such members as Vinnie Paul of Pantera and Damageplan, Chad Gray and Greg Tribbett of Mudvayne and Tom Maxwell of Nothingface) came into my attention with Band of Brothers. Way before that, they had released Alcohaulin’ Ass, a southern-rock-sounding track, which I had heard on some occasions. But it was Blood for Blood (2014) that established them as a groove metal act I would call qualified. Their 2016’s Undeniable, being not on par with its antecedent, tossed the band back to normalcy again, only having a few highlights here and there. But with the founding member Vinnie Paul’s untimely demise in June 2018, the band has had so much to prove whether they are able to pick up where they left off or they are just another run-of-the-meal metal band with a couple of commendable songs and quite a handful of fillers per album. […]

2019 Albums

Album Review: Rings Of Saturn – Gidim 10 (Deathcore)

Rings Of Saturn have been around for a bit perfecting their insane brand of techno death metal, and with this latest album they prove they can soar alongside current titans Infant Annihilator and Cattle Decapitation. 2019 keeps upping the vocal game and setting an insane standard that most just can’t compete with. Add an overgrown child prodigy of a guitarist and you’ve got the essence of RoS, it’s excessive… and fancy. Utilizing brutality with finesse rather than toxic bravado. I’ve heard so many albums try to reach this peak but fall short, so it’s not without pause that I consider this one of the greatest tech death works of like… the decade? Imagine if Dragonforce was good. […]

2019 Albums

Album Review: Mortiferum – Disgorged From Psychotic Depths 8 (Death Doom)

I had an epiphany during the opening track, “Archaic Vision Of Despair”, that death doom is supposed to be a combination of death metal into doom metal but in reality it’s mostly death growls over doom instrumentals. Well in this case the instrumentation brings a strong sense of death riffery but with a sludgy twist. It feels old school, it reminds me of some solid shit out of the late 90s and early 00s of death doomdom. Like all good music, this sounds like descending into the mouth of madness. Well, madness is a mixed bag. […]