Voidfire are coming into the scene strong with a well presented debut album entitled Ogień Pustki, and it is a concept album “based on the theme of finding artistic inspiration in emotional suffering” according to the band. Immediately the most eye catching thing is the mysterious artwork, this time skipping Lewandowski and going straight to the source, a licensed piece from Zdzisław Beksiński made in 1976. It’s a bloody strong artwork to have and will surely find the band stuck in the minds of many this year. The sound on hand here is some tight melodic black metal for lonely hearts, with a kicking drum for marching into the gloom. […]
I became familiar with Satta through IG as I follow a lot of dark artists suitable for band merch, Satta however has a classical approach to the style that outshines the rabble of common assets and lazy work ethic. His art is not just dark by subject, it embodies it fully, from conception to technique to completion. It’s a higher brow darkness. I also became familiar with the aussie OSDM band Aeon’s Abyss through instagram, who ended up commissioning Satta for their upcoming album Impenitent (Nov 1), a fortunate pairing sharing similar classic metal values. Here is an interview with the artist Satta in which we discuss influences, the upcoming album and living as an artist. […]
This is one of those scenarios where you don’t understand Spanish but can identify enough words capable of setting a tone. Get ready for some psychedelic action from this Chilean doom trio that’s wet with distortion, I may have even heard an amp blow at some point – unless it’s a drum they’ve down tuned or a pedal effect. There’s a strange aspect to it that a lot of people would describe as “not music”, bordering on noise doom, but it works organically into the overall sound. It’s an interesting release made ever more so by its distinguishable album art created by the frontman Francisco Rivera who offered some insight to the story behind their art as well as their anti-fascist stance (included at the end). […]
I had an epiphany during the opening track, “Archaic Vision Of Despair”, that death doom is supposed to be a combination of death metal into doom metal but in reality it’s mostly death growls over doom instrumentals. Well in this case the instrumentation brings a strong sense of death riffery but with a sludgy twist. It feels old school, it reminds me of some solid shit out of the late 90s and early 00s of death doomdom. Like all good music, this sounds like descending into the mouth of madness. Well, madness is a mixed bag. […]
Written by Alex Mizmor Cairn Black Metal Oregon, USA September 6, 2019 8.5/10 Bandcamp – Spotify – Instagram – Metallum There was so much hype surrounding and leading up to this record. For good reason […]
Vahrzaw are one of Australia’s longest running black metal acts having played under various names in the early 90s. While many bands have come and gone, Vahrzaw have marched on unable to be stopped by neither politics nor circumstance, leaving a long trail of releases featuring interesting artwork. Metalheads in need of an audio pummelling look no further. Their sound hasn’t been compromised in the face of an ever changing scene over the decades and after Husk, their ripper of a 2018 album, they are returning with a brand new album slated for 2020. I spoke to Vahrzaw guitarist Scott about it and the bands origin. […]
I’m not a big fan of thrash but through recently listening to Coroner and now this, progressive thrash may be the most digestible format for me. It kills a lot of the boring and repetitive elements that are considered a structural. Hailing from Portugal, Soul Of Anubis are a super loud trio – there’s a thickness that shouldn’t be afforded to so few people. They also look super charming and approachable, just look at the picture below. […]
Aversions Crown pretty make takes the sci fi death metal concept started by Nocturnus and applies it to deathcore. It’s a great way to create an alternative to the norm which in the case of deathcore, is a shitload of generic releases. They stand out to me with the spacey elements mixing up what could have been a more typical sound. They’re kind of the Australian equivalent of Rings Of Saturn and one of the few Brisbane based bands to sign to a major label, having caught the attention of Nuclear Blast.
Devourment are an infamous slam band out of Texas. Though they formed in 1995 their albums have been very few and far between, with only five studio albums to their name. That said, they’ve made a huge name for themselves. Their newest album Obscene Majesty is seeing tons of acclaim, it looks like it’ll be hitting a lot of AOTY lists this year.