Alright! Time for some real underground post-metal shit. I forgot that music can have a rawer mix and still sound good. Pipe Dreamer has really played into the sound they have rather than trying to strive for something unrealistic. The result is something special blending charm with ruggedness. […]
There’s so much room in this bad boy. Some albums you put on and demand entertainment every second from, and then albums like this one that you can just put on and expect it to fill the room. You won’t always be aware of everything going on, you’ll daze in and out of the majesty of it. It’s a slower-paced kind of tech death with a strong emphasis on atmospheric instrumentals, well, it’s still fast as hell but more spread out. […]
I knew based on the psychedelic but modern album art this would be an interesting one, digging the aesthetic right off the bat with sounds akin to an old cassette being worn out and playing warped audio. Scarred brings extra noises to their tracks just to make them pop a little more, whether it’s an offbeat guitar tone or an offbeat guitar effect that blends into the atmosphere. They could have made the exact same progressive groove thrash that all the rest with a Gojira inspiration have done but they went with something more original. I’ll be listening to this one all year. […]
Where most other post-metal legends have fallen or stopped short, Cult Of Luna remains to bring out new albums every couple of years. They managed to remain relevant well into the 2010s with their Julie Christmas collab on Mainer in 2016, then right before the new decade in 2019 they came out with A Dawn To Fear, truly showing no loss of progression and vigor. Now we get to kick off 2021 with a brand new release from the band, The Raging River, where they will yet again dance circles around most post-metal bands with a lengthy career. […]
I know that opening sample orb-like sound, for sure. It’s either from an Elder Scrolls game or STALKER game, or maybe I’m plain wrong but what is supposed to be THE fractal generator is definitely a sound I’m familiar with. Or maybe this band really does make music about software for fractal pattern processing. Whatever it’s about, one thing is certain, this is a very cinematic technical death metal album that stays on the heavier side of the genre while also offering some mind washing sounds. […]
Splitmania! It’s time to review some new splits coming out and recently released that have caught my eye and to showcase the bands on either side. A lot of experimental music, which is the best use of a split if you ask me. Delve in and explore the bands that make each side special. […]
This year is starting strong for melodic death metal and Stortregn have brought us a cheese-free adventure with their new album Impermanence. Can The Artisan Era label do any wrong? I haven’t heard a single bad album from them in the last year or two and this is a fine release for their catalogue. Tuck into it! […]
Humanity’s Last Breath made a big impression over here with their heavy as balls sound in 2019’s Abyssal, now they’re back on the radar with some innovations to show off. This album uses a lot of sound design to create a more unique approach to blackened deathcore that utilizes every instrumental technique available and even additional symphonics. You can see on their Bandcamp that they’ve been very busy producing tunes but also producer packs during the time between Abyssal and Välde, clearly very talented audio engineering from guitarist and producer Buster Odeholm (Vildjharta, Born of Osiris, Oceano). […]
What are Twitter mutual’s in this context? A lot of bands follow me, but a lot of cool people who are in bands also follow me and these people are either very supportive or talkative, but I’m so daft I barely realise they’re in a band a lot of the time. So every now and then I’ll be taking the time and initiative to double check if my friends are in bands then have a listen! Turns out they’re fucking brilliant. […]
A death metal album with an unexpected amount of melody, it doesn’t even present as melodeath, it’s far closer to straight slapping brutal death metal that occasionally shifts the tempo down into a straight up clean guitar serenade as if I somehow accidentally listened outside the album or the musicians forgot the set list. It should be a harsh comparison to then start up the death machine again but it just works so well, perhaps due to the tight guitar tones. […]
Copyright © 2026 | MH Magazine WordPress Theme by MH Themes