Art Feature
Interview: Luke Oram (Visual Artist)
Website – Instagram – Twitter Luke Oram is a visual artist from the Uk. I have covered him extensively on here due to his recent work with many solid bands from around the world. From left […]
Doom metal
2019 Albums
Album Review: Swallow The Sun – When A Shadow Is Forced Into Light 9.5 (Doom Metal)
Four years after the release of their magnum opus Songs from the North, a triple album introduced in 2015, and after the tragic demise of Aleah Starbridge (the front man Juha Raivio’s life partner and Trees of Eternity’s lead vocalist) in 2016, the Finnish death-doom giants have returned with an album which leaves no heart untouched. A short while ago, late 2018, a single album was put forward which best depicted the dark depths of their sorrow: Lumina Aurea, a heart- wrenching blend of black and funeral doom with dashes of folk created by Einar Selvik of Wardruna. […]
2019 Albums
Album Review: October Tide – In Splendor Below 8 (Doom Metal)
Written by Mass October Tide In Splendor Below Death doom Sweden 2019 8/10 Bandcamp – Metallum Review Destroy Each Other with Love There is probably no need to give the Swedish Doom-Death pillars, October Tide, an […]
Art Feature
Australian Heavypedia: Judd Madden (Solo Doom)
During my process of contacting bands for the Aussie Metal project I had the fortune of coming across the droning and elaborate tunes of Judd Madden. A prolific solo project from Melbourne. I’m used to one man bands in black metal but it feels less common in doom, a genre often demanding the thickest of sounds. Judd Madden not only manages to do this alone, but also often erring on the side of wistful post-metal. He also has exceptional art across his discography so I knew I had to delve deeper into what he had to offer as an individual musician. As it turns out, there’s a lot to explore – even more than the initial Bandcamp page lets on. I’m most familiar with Cosmic Black Wizard Demon Horse Lord (Top left) which should become a quick favorite for many long form doom metal fans. There’s a decade worth of content, all accessible for free. […]
2019 Albums
Album Review: Horrisonous – A Culinary Cacophony 9 (Death Metal)
This is how I like my death metal, with a healthy dose of Aussie doom. It’s becoming that kind of place, the kind of country that needs doom to seep through the cracks in the bleach white wall of the Starbucks joined to an Apple store. There’s plenty of pent up rage on this island just waiting for the chance to crush the ‘surface’. This is raw, heavy and real. This is probably one of the filthiest death releases this year. For fans of death like The Chasm and Autopsy and death doom like Swallow The Sun. The balance is really good here, leaning into death heavily. […]
Carcassbomb's Reviews
Album Review: Hela – Death May Die 9.2 (Doom Metal)
A far darker opening than I was expecting. Apparently the opener track is based on the story “The nameless city” by Lovecraft (read). The song titles alone say to me that this is a chronological story starting with a horrible discovery, The Gateway. There’s some kind of mythical figure and perhaps the revelation of evil, Mothers Of Monsters and Touched By Evil. Then that touch of evil infests or takes hold in the form of the Dark Passenger – possibly analogous of mental illness or possession. This passenger causes chaos and unnatural acts, resulting in Repulsion – of self and externally. The Gateway inevitable leads to Bodies Burning In Hell – The end destruction, death or suicide from madness and hell because of the corruption. […]
2019 Albums
Album Review: Witch Ritual – Death:Beyond 9 (Stoner Doom)
I’m going to try to do this without doing a single pun involving their band name and hopefully without misspelling witch. Witch Ritual is some dense european stoner doom, real melancholic stuff. I haven’t heard their EP, but this is their debut LP that really cements their expectations high. This ones essential for fans Windhand and Jex Thoth, general doomheads should certainly check it out too. It has the raunchiness I love in stoner doom/fuzz without the exploitation aesthetic. It’s pretty awesome all over. […]
Carcassbomb's Reviews
Album Review: Monolord – Rust 10 (Doom Metal)
This is a record that hit me so hard right off the bat in a way I have rarely experienced. Typically I’m listening in anticipation of an intro or a build up or even listening with a level of incredulity. Monolord broke right through that bullshit with Rust. It’s so immediately present with such thick riffs. They aren’t aggressive riffs as much as they are a menacing in their pure size. The widest tones around. […]
2019 Albums
Album Review: The 4 Way Split – 9 (Stoner Doom)
I promise I won’t confuse Dopelord, Dopesmoker and Dopethrone since I’ve been listening to a bit of all lately. This is one of the most impressive collaborative albums I’ve heard in modern doom history. It’s a Polish supergroup in a sense. Doom might have started in the UK but these guys are all proving that it could finish in Poland. I’ve been pretty vocal about my love of Spaceslug for over a year now so I am pretty excited about this new track from them and getting to know the other bands a bit better. It’s a really great showcase for the current state of doom which is more alive than ever. […]
2019 Albums
Album Review: Ruff Majik – Tarn 9 (Stoner Doom)
South African garage doom? fuck yeah. Ruff Majik embody the stoner sound with such reverie and mastery. I’ve described it a million times now, we all know what stoner doom sounds like. Sometimes it’s slow and bassy, then sometimes it’s fast and bassy. Sometimes it’s average, and every now and then something awesome like this comes along. […]