Carcinoid are a fun band to me, there’s something inherently goofy about it without it actually being a joke. This is raw af sludgeoned black death doom metal that will do things you haven’t really heard before, like absurdly clean bass tones and unexpected lofi melody. It’s not very accessible though, perhaps only existing for the sake of the most nihilistic and misanthropic metalheads around. There’s just so much sludge and generally ominous shit, this isn’t supposed to be accessible or palatable. It will be a sure hit for those like myself who enjoy super abrasive death doom, which is a lot of the metal cassette community.
Fimbultýr is a dazzling lofi blend of stoner doom, hard core, death rock and a bunch of stuff. It’s an incredible work that hits just right.This is the right mixing levels for the genre, it’s an older more analogue sounding fuzz. It’s very much the Electric Wizard school of doom and it’s of the highest grade. There’s also grunge and post rock elements that are used effectively, making Fimbultyr an overall engrossing record that should not be overlooked by doomers looking for a harsher longer buzz.
Is this Treebeards band? The vocals deadset sound like they’re coming for a colossal fucking tree. I shit you not. OAK are a death doom duo from Portugal and this is Lone, their debut LP featuring the artwork of Paolo Gerardi. There’s a strong presence with OAK that I think has carried over from their experience writing black metal songs in the band Gaerea. While it is certainly death doom, it is sometimes coated in black influence – particularly the song structure and vocal execution. Lone will be a memorable late year release many doom heads will take with them into 2020.
Coffins got me with the album art and even if the riffs are sometimes boring, I’m generally on board for what’s going on here. A strange crossing of speed thrash death and doom. Beyond the Circular Demise has a level of variety in music that I’ve come to expect from Japanese metal.
The vocals are a lot of fun, they’re brutal death vocals with a doom tint but sometimes it heads towards hardcore sludge and beatdown territory. There’s a wide variety of growling that never sounds out of place, if it were less present then we’d be left with something a bit barer. Like I said, the riffs can be a bit boring, I don’t think they got the doom metal aspect of it down pat as well as they do the thrashier parts.
There’s been some solid instrumental albums released in 2019 and that’s going to continue right to the end of the year with the third album from American doomers Canyon Of The Skull titled Sins Of The Past. It contains a compelling and long two tracks, the first track titled “The Ghost Dance” (Basically half of the album) is streaming on bandcamp right now. It should speak to the hearts of Bongripper fans and anyone living that doom life. Who needs vocals? There’s nothing you can’t articulate with guitar and bass, especially when wielded so proficiently. Members of Canyon Of The Skull have also played in Powermad, 1349, Broken Hope and The Atlas Moth.
Cable used to be a hardcore band but they transitioned into an atmosphere fueled form of sludge in recent years. The hardcore influence can still be heard quite strongly. It reminds me a lot of Rollins Band and The Jesus Lizard in terms of writing and vocal delivery, as well as spoken word avant garde bands like Endnote or Oxbow but with softer stoner corners. It’s really fuzzy and more catchy than the tag “atmospheric” normally brings to mind.
I had an epiphany during the opening track, “Archaic Vision Of Despair”, that death doom is supposed to be a combination of death metal into doom metal but in reality it’s mostly death growls over doom instrumentals. Well in this case the instrumentation brings a strong sense of death riffery but with a sludgy twist. It feels old school, it reminds me of some solid shit out of the late 90s and early 00s of death doomdom. Like all good music, this sounds like descending into the mouth of madness. Well, madness is a mixed bag.
Cold In Berlin have been playing equally atmospheric and abrasive live performances in London for almost a decade now. Starting with the essence of a post punk band and gradually absorbing the darkness of the world developing around them, dragging along with them a sense of doom. Their latest album, Rituals Of Surrender is a gothed up stoner doom album that releases on the 11th of October. I had a chance to hear the album early and very much enjoyed it, I also went back through their previous releases to find they basically started as an awesome band and stayed that way. So I’m very happy to present my interview with Cold In Berlin, an entertaining read whether you know the band or not (Just press play)
This show was absolutely wild and hard to photograph. So much went on and I’m a big new fan of Wizzard Lizzard. Firstly they look exactly how they ‘ought to and the bassist is wearing the shirt for the same Carcinoid demo I’ll be reviewing this week. At some point a guest vocalist joined from the crowd and I was able to replace him at the front. The final song, some dude in a suit had to stand there holding the guitar amp plug into the amp and this is stoner doom so the songs like 7 mins haha. Big show, I’ll be sure to get to the front early next time.