Post Metal Archives - Page 6 of 7

Micro Dose: Canyon Of The Skull – The Sins Of The Past (Post/Doom)

November 10, 2019 Melinda (Carcassbomb)

There’s been some solid instrumental albums released in 2019 and that’s going to continue right to the end of the year with the third album from American doomers Canyon Of The Skull titled Sins Of The Past. It contains a compelling and long two tracks, the first track titled “The Ghost Dance” (Basically half of the album) is streaming on bandcamp right now. It should speak to the hearts of Bongripper fans and anyone living that doom life. Who needs vocals? There’s nothing you can’t articulate with guitar and bass, especially when wielded so proficiently. Members of Canyon Of The Skull have also played in Powermad, 1349, Broken Hope and The Atlas Moth. […]

Album Review: Exulansis – “Sequestered Sympathy” 7.8/10 (Black Metal)

November 3, 2019 zaxrecordreviews

Opposites attract is a cliche that has long applied to metal music. Crossover and fusion genres are a huge part of metal and do a lot to keep the genre interesting. From crossover thrash, to the numerous core genres, to folk metal, the possibilities are endless. The band we will be talking about today mixes quite a few genres for a very unique sound. Their Facebook biography describes their sound a lot better than I ever could, so here’s a excerpt, “Exulansis forms a nuanced variation of antifascist black metal, doom, crust, folk and chamber music by presenting acoustic elements with rapid blast beats, soaring melodies and dark harmonies.” […]

Album Review: White Ward – Love Exchange Failure 8 (Post Black)

October 25, 2019 zaxrecordreviews

I love coming across albums that are very long, but feel like nothing. Albums you can just sink into and lose yourself in are the absolute best. A prime supplier of records like these are post-black metal and atmospheric black metal in general. White Ward fit this quite well with their new album “Love Exchange Failure” that eclipses an hour in length with only 7 tracks to its name. […]

Australian Heavypedia: Judd Madden (Solo Doom)

July 12, 2019 Melinda (Carcassbomb)

During my process of contacting bands for the Aussie Metal project I had the fortune of coming across the droning and elaborate tunes of Judd Madden. A prolific solo project from Melbourne. I’m used to one man bands in black metal but it feels less common in doom, a genre often demanding the thickest of sounds. Judd Madden not only manages to do this alone, but also often erring on the side of wistful post-metal. He also has exceptional art across his discography so I knew I had to delve deeper into what he had to offer as an individual musician. As it turns out, there’s a lot to explore – even more than the initial Bandcamp page lets on. I’m most familiar with Cosmic Black Wizard Demon Horse Lord (Top left) which should become a quick favorite for many long form doom metal fans. There’s a decade worth of content, all accessible for free. […]

Album Review: Archivist – Triumvirate 10 (Post Metal)

June 29, 2019 Melinda (Carcassbomb)

The raw emotion and peaks from the debut LP returns here in a big way, the goosebumps are back. The third and most recent album from Archivist offers a continuation of a running story, what appears to be a story of macro transformation. Look at the artwork (all by Alex CF) and you can see the transition from human, to machine and now to some kind of cosmic being no longer resembling a humanoid at all. The lyrical themes have followed the same transition, from emotional struggle of humanity, to the mechanical malady and now finally the emotional weight of the cosmos and confronting god. Perhaps a man made god, a literal and physical manifestation of the idea made real through circuits and programming. As always these are my own ignorant interpretations based on no research, something I like to do as an exercise. […]

Album Review: Archivist – Construct 8.9 (Post Metal)

June 29, 2019 Melinda (Carcassbomb)

Immediately I’m hearing some differences from their debut LP. Namely the posthardcore direction I mentioned seems intensified with Construct. Certainly not a bad thing but the faster more chaotic opening didn’t quite have the effect of the delicate creeping opener on their self-titled LP. The cleans also come in much earlier and often. As the album progresses I get a sense of the hardcore side of things being upped a bit which I am all for. There’s less of the black vibe and more of the heart-wrenching cracking voice you expect from Birds In Row. When the death vocals come they tend to be used to accentuate the heavier moments by intensifying the deeper vocal range closer to GOOD metalcore/mathcore than black metal. I feel they are a lot heavier now. […]

Album Review: Archivist – Archivist 10 (Post Metal)

June 29, 2019 Melinda (Carcassbomb)

It started so quiet and gave me little idea and yet I felt oddly emotionally attached to the artwork during this time, which intensified as the calm guitar came in. Still not giving anything away. Then the first punch of the record… the vocals, I love these vocals. It reminds me so much of early hardcore/mathcore like Botch in a lot of ways, it’s not a typical death/black vocal. It emotes more and takes his time with each lyric – Something else I’ll have to discuss because there’s some depth to the words. Currently I’m reading The Southern Reach Trilogy (First one, Annihilation, became a lesser film), so these science fiction themes tied to dramatic events and emotions really resonates at the moment. The consideration of the ideas and then the execution, there’s a lot of levity here. This will serve as suitable preparation for their newest release. […]

Album Review: Estoner – “Tahm” 8.3/10 (Stoner Doom)

May 26, 2019 Melinda (Carcassbomb)

Estoner play some complex and often aggressive stoner doom that verges on some vocal and drum stylings from metallic hardcore bands. I really enjoy the blend and how heavy the doom can get. For a self released LP this is high quality, they did a great job recording and finding the right artist for their cover. It’s psychedelic but with an edge, like a bad trip or a conversation with the devil while staring into your heater. […]

Album Review: Superfat – Guadal 7.8 (Stoner Rock)

May 22, 2019 Melinda (Carcassbomb)

May has been a hell of a month for stoner music fans with a whole slew of high quality releases. I’ve been listening to this genre so much lately mostly because that’s where the art leads me and holy fuck what a first impression this record gives. Insane design work by Vice Ilustrados. One of the most impressive pieces I’ve seen with so much detail, coloring, theme and framing that is just spot on. Love the little mushrooms on the wooden surfboard. There’s a lot of doom to smile at here. This record is a great story for me because of the relationship between the band and the artist here being so personal and mutual. It’s a collaboration more than a commission with both parties crediting and respecting each other. It’s exactly what I like to see here at Noob Heavy where the art matters. […]

Album Review: Bongripper – Terminal 10 (Doom Metal)

October 5, 2018 Melinda (Carcassbomb)

Bongripper are on some shit, I can tell you that much. These guys have always been a unique force in the metal world with a diverse selection of albums to choose from. They always have a different feel with each release like they re-approach their music each time. The album art changes drastically and the stories are varied and often colorful or entirely devoid of color. I particularly admire them for their ability to communicate ideas without using vocals or lyrics. The albums are tight and the listener receives a clear theme or message each time that’s only foreshadowed by the track and album titles. […]