Brisbane has been coming out with some pretty awesome metal lately and Eternal Rest are no exception to this. Their third album The Picture Of Hatred has a lot to boast about for a band from such a humble part of the world (arse end of Australia, I’m here too so I can admit it) such as having this release on the American label Gore House Productions, album art from french artist Remy Cooper and being mixed by the iconic Dan Swano (what?!). With this in mind you might be imagining something quite fancy or even melodic… Yeah nah, this album is filthy, often finding itself on the grind side of death. There’s a sense of nihilism and discomfort, so naturally I enjoy it.
I became familiar with Satta through IG as I follow a lot of dark artists suitable for band merch, Satta however has a classical approach to the style that outshines the rabble of common assets and lazy work ethic. His art is not just dark by subject, it embodies it fully, from conception to technique to completion. It’s a higher brow darkness. I also became familiar with the aussie OSDM band Aeon’s Abyss through instagram, who ended up commissioning Satta for their upcoming album Impenitent (Nov 1), a fortunate pairing sharing similar classic metal values. Here is an interview with the artist Satta in which we discuss influences, the upcoming album and living as an artist.
We kick the week off with the long awaited sophomore effort from Guttural Slug and it is in no way a sophomore slump, that’s for sure. In fact, it’s better than their debut, by a pretty big margin too. It has far better production, like seriously this album sounds massive. The riffs are crushingly heavy, and that awesome mix makes them sound larger than life. They also drop those stupid ass cricket vocals in exchange for these brutal gutturals and piercing screams. This is quality slam right here. Amazing album cover too. Big props to these guys.
Vahrzaw are one of Australia’s longest running black metal acts having played under various names in the early 90s. While many bands have come and gone, Vahrzaw have marched on unable to be stopped by neither politics nor circumstance, leaving a long trail of releases featuring interesting artwork. Metalheads in need of an audio pummelling look no further. Their sound hasn’t been compromised in the face of an ever changing scene over the decades and after Husk, their ripper of a 2018 album, they are returning with a brand new album slated for 2020. I spoke to Vahrzaw guitarist Scott about it and the bands origin.
This is how I like my death metal, with a healthy dose of Aussie doom. It’s becoming that kind of place, the kind of country that needs doom to seep through the cracks in the bleach white wall of the Starbucks joined to an Apple store. There’s plenty of pent up rage on this island just waiting for the chance to crush the ‘surface’. This is raw, heavy and real. This is probably one of the filthiest death releases this year. For fans of death like The Chasm and Autopsy and death doom like Swallow The Sun. The balance is really good here, leaning into death heavily.