2021

Album Review: Feculent – “The Grotesque Arena” 8/10 (Death Metal)

Releasing on March 19, The Grotesque Arena is the debut album from Brisbane’s own Feculent, one of a number of fantastic bands to come recently out of Australia. This could almost be called a supergroup, if that term meant anything these days, as it features a whole slew of great musicians that you might know from other bands: Matthew Budge of Resin Tomb, Siberian Hell Sounds, and Consumed on vocals, Kaleb Doherty of thrashers Idle Ruin on guitar, Jim Dandy of Descent on bass, and master-of-all-trades Brendan Auld on drums. Auld is the mastermind behind grimy one-man project Snorlax, which put one of 2020’s most underrated death metal records, as well as a member of Resin Tomb, Siberian Hell Sounds, Consumed, and Necroseptic. He also does the production and mixing here for Feculent. Needless to say, this lineup is stacked, and boy does the music reflect that. […]

2021

Album Review: Bonecarver – “Evil” 7/10 (Death Metal)

Here’s a question for you, and I think I might have a decent idea of the answer: do you like your metal as heavy as literally all fucking hell? Sure, sometimes you need bands like Eneferens or svrm or Spirit Adrift, whose takes on metal could be reasonably described as beautiful, or even moving. But do you also crave some thick, chuggy brutality? Do you want vocals that roar and squeal, and breakdowns that could level entire city blocks? If you do, it’s time to get excited for the newest slamtastic release from Unique Leader, Bonecarver’s Evil. […]

2021

Album Review: Ad Nauseam – “Imperative Imperceptible Impulse” 10/10 (Black/Death)

When we think of the term “avant-garde”, what does that bring to mind? On a definition level, we might think of the ideas of pushing boundaries or rejecting traditional concepts. On a musical level, we usually associate the avant-garde with dissonance and atonality, complex polyrhythms, and envelope-pushing experimentation. We metalheads probably think of Gorguts, or maybe Ulcerate, perhaps Blut aus Nord, or Dodecahedron. Well, get ready folks, because if you didn’t think of Ad Nauseam when you thought of avant-garde, after you listen to Imperative Imperceptible Impulse, you might think of them before anyone else. […]