Xeno Ooze are a unique new force in the grind underground. They formed in 2018 – making this their very first LP, but you couldn’t guess that just from listening. I love the level of vocal commitment on this album, it’s a hardcore style that sounds super throaty. It plays well the trebelled out mix of lofi grind and sludge riffage. It’s also a lot of fun, something important for any grindcore album no matter how bad ass the covers get.
Well that was unsettling. Ploughshare play a fucked kind of black/death/sludge metal that will make you feel physically unsafe even in the comfort of your own home. Tellurian Insurgency is their brand new EP through Aussie label Brilliant Emperor and it releases on the 29th of November. Not an album for the easily scared, if this is you, then turn your radio back on and continue listening to Kyle and Jackie-O, you clicked the wrong social media link. Happens to the best of us.
I don’t know what it is about violins in metal that I love so much, but It’s amazing. Here we have a violin lead folk metal band called The Night Watch. This is their third LP, and it’s set for release this Friday, you don’t wanna miss it!
Now these are tremolos I can get behind. Third Chamber are basically a death metal supergroup and that’s a fair enough status considering the calibre of this EP. They’re somewhere between pure Cannibal Corpse and Knocked Loose, which as you can imagine is very intense and diverse. Harvesting Out Decay is pretty much the kinder surprise egg of death metal. Keep an eye out for this one on the 22nd of November and get in on that cassette pre-order, it looks incredible.
This year has been incredible and if you’ve been reading for a bit now then you’ve seen me become increasingly excited about metal over the course of 2019. I was starting to think it may slump then I started getting some really good submissions from very talented bands putting out music towards the end of the year. Death Metal, black metal and hardcore have been insane this year and so has sludge but until today I didn’t realise I was missing something that I fondly remember having last year – A solid and true to form post hardcore album in the visage of bands like Boss-De-Nage or Birds In Row. Toluca offers an experience equally eloquent and abrasive from the lands of Russia with their new album Soras. Out November 29th via Tokyo Jupiter Records.
It’s been a few weeks since I’ve covered a straight up rager on this site, so when I heard “The Tether’s End” by Remission, i knew I had to talk about it. Remission are a death metal band with some thrash influences and melodic death metal textures. This is their debut album and it’s set for release on November 15th. This is one you aren’t going to want to miss!
Blackwater Burial have released a solid tech death record with crazy good musicianship. The guitar and bass work here is incredibly technical, but it never feels unnecessary or wanky, everything fits incredibly well. It’s mixed nicely so all the individual layers stand out nicely. The vocals are these low growls with a nice bit of clarity to them. They are brutal and very well performed, but i can make out a lot of the lyrics which is always appreciated.
To end the week we have the new project from blackened death unit Vale Of Pnath. Despite how good this is I don’t have loads say about it, It’s an amazing death metal EP with a pitch black atmosphere. The vocals are this high screech and the guitars cross the heaviness of death metal with the trademark iciness of black metal guitar leads. There are a lot of dark themes explored in the lyrics, which are actually pretty easy to decipher as the vocals are very clear, which is always a plus. Cool ass cover art too, props to these guys.
Rings Of Saturn have been around for a bit perfecting their insane brand of techno death metal, and with this latest album they prove they can soar alongside current titans Infant Annihilator and Cattle Decapitation. 2019 keeps upping the vocal game and setting an insane standard that most just can’t compete with. Add an overgrown child prodigy of a guitarist and you’ve got the essence of RoS, it’s excessive… and fancy. Utilizing brutality with finesse rather than toxic bravado. I’ve heard so many albums try to reach this peak but fall short, so it’s not without pause that I consider this one of the greatest tech death works of like… the decade? Imagine if Dragonforce was good.