I encountered Abu Ghraib on the Metal Archives while first scouting for this project and their band photo was so funny and endearing I ended up saving it “for later” which I guess is now because they’ve recently released a massive grind album that surpasses even their sublime memery in ability and entertainment value. There was no sign of this beast earlier in the year with just a demo to their name and hardly an online presence but now I’m convinced they are going to be huge, well, as huge as grindcore can get in this country.
Tomb Of Grief is a metal blog focusing on interviewing unique metal bands, it is run by T who is based in the UK. Considering how new the project is (Started June 2019) T has managed to interview quite a lot of awesome solo projects and black metal bands including this years very popular Mizmor as well as Xasthur and Aussie speedsters Bastardizer. He has an eye for a certain kind of project and speaks with some very interesting people. In this interview he provides some insight into Tomb Of Grief, interviewing, album art and the struggles of writing.
Here is an interview with Bloody Sadism conducted by Noob Heavy writer Mass. Typically I (Carcassbomb) have done all of the interviews and this is the first one by someone else, as such I have left the formatting closer to their own preferences and hopefully I’ll see more in the future from all of our scenes. Here’s an insight into the world of Iranian metal, which is a very underground and subversive part of their culture.
I’m so excited to share this album with you guys, it’s an absolute gem. Moon and Azure Shadow is a solo project that mixes atmospheric black metal with Japanese style soundtracks. You have to listen to this with headphones on in a dark room to get the full effect of how grand this album is. As a fan of soundtrack style music and dark ambient, I’m so stoked to see that type of sound being so well mixed with the harshness of black metal.
I became familiar with Satta through IG as I follow a lot of dark artists suitable for band merch, Satta however has a classical approach to the style that outshines the rabble of common assets and lazy work ethic. His art is not just dark by subject, it embodies it fully, from conception to technique to completion. It’s a higher brow darkness. I also became familiar with the aussie OSDM band Aeon’s Abyss through instagram, who ended up commissioning Satta for their upcoming album Impenitent (Nov 1), a fortunate pairing sharing similar classic metal values. Here is an interview with the artist Satta in which we discuss influences, the upcoming album and living as an artist.
This is one of those scenarios where you don’t understand Spanish but can identify enough words capable of setting a tone. Get ready for some psychedelic action from this Chilean doom trio that’s wet with distortion, I may have even heard an amp blow at some point – unless it’s a drum they’ve down tuned or a pedal effect. There’s a strange aspect to it that a lot of people would describe as “not music”, bordering on noise doom, but it works organically into the overall sound. It’s an interesting release made ever more so by its distinguishable album art created by the frontman Francisco Rivera who offered some insight to the story behind their art as well as their anti-fascist stance (included at the end).
Cold In Berlin have been playing equally atmospheric and abrasive live performances in London for almost a decade now. Starting with the essence of a post punk band and gradually absorbing the darkness of the world developing around them, dragging along with them a sense of doom. Their latest album, Rituals Of Surrender is a gothed up stoner doom album that releases on the 11th of October. I had a chance to hear the album early and very much enjoyed it, I also went back through their previous releases to find they basically started as an awesome band and stayed that way. So I’m very happy to present my interview with Cold In Berlin, an entertaining read whether you know the band or not (Just press play)
Vahrzaw are one of Australia’s longest running black metal acts having played under various names in the early 90s. While many bands have come and gone, Vahrzaw have marched on unable to be stopped by neither politics nor circumstance, leaving a long trail of releases featuring interesting artwork. Metalheads in need of an audio pummelling look no further. Their sound hasn’t been compromised in the face of an ever changing scene over the decades and after Husk, their ripper of a 2018 album, they are returning with a brand new album slated for 2020. I spoke to Vahrzaw guitarist Scott about it and the bands origin.
Crypt Crawler are newcomers to the scene having starting producing singles in 2018 but they’ve sure as shit started with some quality songs. They have a DIY approach to their music that gives it an authentic rawness but there’s also a level of proficiency that brings with it a clarity to the sound. Their 2019 debut LP To The Grave can easily contend with many international releases in 2019 despite not having the aid of a label.