
No Ju-LIE, We Love These July Albums
Written by Westin, Kep, Ellis, Rae-Aila, and Kirk Hi folks, Kep here. Yeah, I tried a little too hard for that pun. No, I don’t feel bad about it. Another month down. Another load of […]
Written by Westin, Kep, Ellis, Rae-Aila, and Kirk Hi folks, Kep here. Yeah, I tried a little too hard for that pun. No, I don’t feel bad about it. Another month down. Another load of […]
Written by Kirk Whettman Chelmets – Koppen> Ambient/drone/noise> Oklahoma, US> Releasing July 7> Strategic Tape Reserve What do you know about noise rock? In the grand scheme of the wide world of heavy music, noise […]
Written by Helena Harjo – The Magi> Experimental drone> California, US> Releasing April 7> Independent/self-release When I was sent the music of Harjo, it was sent with the message that it was up my “’weird […]
Written by Greg Schwan Mother Anxiety – Guillotine Age> Electronic/industrial> Washington, US> Releasing November 25> Independent/self-release What is the sound of the brick finally being thrown? And what happens after it lands? In Bill Morrison’s 2010 solemn […]
Written by Greg Schwan Jakob Battick & Tongue Depressor – Raise the Dead> Experimental drone> PA/CT, US> Releasing October 26> Stoned to Death In music, we too infrequently ask the question of where. Where does […]
Written by: Valkyrjiaa Stellar Death – Sentient (Chapter 1)>Experimental metal>Washington, DC, US>Released June 10>Bravemusic For many, there seems to be no shortage of purely instrumental metal music out there for listening pleasure; but for someone […]
Alright! Been excited for this one. The first single that dropped for “Very Noise” with the weird ass video was a strategic move on the part of Igorrr as it was very much a track that was hard to decipher and didn’t give much away, being purely a noise orientated and atmospheric piece with a bit of a technical guitar melody at the end. The opening of Spirituality and Distortion however, assures us of the heavy, more metal aspect of the Igorrr sound. Mixed in various ways with contrasting genre elements, naturally. […]
Bizarre. Really. Also interesting and competent music. Tommy Concrete is familiar yet alienating, like an estranged family member or lover returning after many years. It combines a lot of old school heavy metal and power riffs with elements of sludge and death, funneled through a progressive metal kind of song writing structure. The themes are deeply personal and, much more self aware of behaviour than typical of these genres which are often laden with bravado and self assurance. Musically the comparison to Devin Townsend is most apt, both in relation to the sound and the unique edge that comes with the lone creator. If you support underground music then check this out. […]
When confronted with the ambiguous genre tag of avant garde I toss aside all expectations because it can either be a complete waste of time or something glorious and I have no way of knowing which way it’s going to go. Naiv is in the latter category, bringing a rejuvenating sound that has an interesting swing to it. It only took the second track to make me fall in love. […]
This is an interesting album. It’s somewhere between progressive death metal with a raw mix and elements of hardcore or mathcore, particularly on the vocal side of things. It’s hard to pin this one down to an exact essence, it very much does its own thing without necessarily considering where in the world of metal or even alternative music they would belong. I can only respect them for that in an era of redundant worship releases. […]
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