This is one of those scenarios where you don’t understand Spanish but can identify enough words capable of setting a tone. Get ready for some psychedelic action from this Chilean doom trio that’s wet with distortion, I may have even heard an amp blow at some point – unless it’s a drum they’ve down tuned or a pedal effect. There’s a strange aspect to it that a lot of people would describe as “not music”, bordering on noise doom, but it works organically into the overall sound. It’s an interesting release made ever more so by its distinguishable album art created by the frontman Francisco Rivera who offered some insight to the story behind their art as well as their anti-fascist stance (included at the end).
Cold In Berlin have been playing equally atmospheric and abrasive live performances in London for almost a decade now. Starting with the essence of a post punk band and gradually absorbing the darkness of the world developing around them, dragging along with them a sense of doom. Their latest album, Rituals Of Surrender is a gothed up stoner doom album that releases on the 11th of October. I had a chance to hear the album early and very much enjoyed it, I also went back through their previous releases to find they basically started as an awesome band and stayed that way. So I’m very happy to present my interview with Cold In Berlin, an entertaining read whether you know the band or not (Just press play)
Of Blood And Wine should satiate any of my stoner and doomhead readers, it’s got everything you want from the genre and more. It doesn’t go too soft despite often threatening to. It keeps a good balance of rock to roll. The vocals are clean but there is a louder more strained vocal that carries a bit of gain. Much like Entombed’s live album Unreal Estate where they put a theatrical rock spin on many of their death metal classics. It gets quite death rock when you aren’t expecting it. Fans of Motorhead should be at home with this vintage galloping sound.
The driving force behind the music are the guitars which lay out some energetic and far reaching riffs. It’s a motivating groove that’s always tumbling like it’s filled with rocks. The drums tend to give the guitars a lot of room to shine without ever stealing focus. It feels by the numbers but no less effective as an essential part of the sound. “Erzebeth” is the highlight for me, a 12 minute epic that keeps you interested. A lot of changes occurring within the track, varying in severity from wild to subtle. There’s a cultish vibe to them akin to All Them Witches that summons images of dancing in the woods as a part of some macabre ritual.