2019 Albums

Album Review: Hell Yeah – Welcome Home 7 (Groove/Southern)

It was back in 2012 or so that the American super-band HELLYEAH (consisting of such members as Vinnie Paul of Pantera and Damageplan, Chad Gray and Greg Tribbett of Mudvayne and Tom Maxwell of Nothingface) came into my attention with Band of Brothers. Way before that, they had released Alcohaulin’ Ass, a southern-rock-sounding track, which I had heard on some occasions. But it was Blood for Blood (2014) that established them as a groove metal act I would call qualified. Their 2016’s Undeniable, being not on par with its antecedent, tossed the band back to normalcy again, only having a few highlights here and there. But with the founding member Vinnie Paul’s untimely demise in June 2018, the band has had so much to prove whether they are able to pick up where they left off or they are just another run-of-the-meal metal band with a couple of commendable songs and quite a handful of fillers per album. […]

2019 Albums

Album Review: Spirit Adrift – Divided By Darkness 7.9 (Heavy Metal)

I discovered this one on bandcamp because of the album cover. It’s pretty awesome and something I noticed is that there’s the artist signature at the bottom, there’s a good idea for you cover artists frustrated by bands or labels not giving credit on promo and bandcamp. This one is done by Joe Petagno. He’s done other Spirit Adrift records but I haven’t heard them. You can visit Joe’s site here and his impressive discog here. I like how he’s filled wherever space would be with some kind of dangerous creature or symbol. There’s a lot going. […]

2018 albums

Album Review: Nekrogoblikon – Welcome To Bonkers 8.5 (Heavy Metal)

Nekrogoblikon are obviously about having fun with music and they still have done alright with reviews in the past, mostly getting through with high scores. I dig their approach, it’s a classic heavy metal sound with a lot of modern techniques and ideas thrown in. It borders on avant-garde in the vein of UneXpect but is just tight enough to be a serious composition. They have some good song writing that takes them above the meme they embody in their public personas and music videos. There’s some real poppy hooks like you’d expect from British rockers The Darkness. […]