Album Review: Cannibal Corpse – “Violence Unimagined” 9/10 (Death Metal)

I am a weird kind of Cannibal Corpse fan, in that most fans will know more about the band as a whole than I do, but I’ve also spent half my life listening to Cannibal Corpse. However, I primarily listen to Bloodthirst and have for a long time. It’s exactly what I want from the band, perfectly summed up in one album and so it hits the spot every time, why move on? Violence Unimagined is one good reason to move on and marks the beginning of an exciting decade for the band. […]

Album Review: Portrayal Of Guilt – “We Are Always Alone” 8/10 (Blackened Hardcore)

A really good blackened hardcore release and no one specifically told me about it? I had to find it all on my own months after release? Christ, you guys are really letting it slip this year. The whole merging of black metal and hardcore variants like post-hardcore or screamo has had a huge come up in the last few years and it’s pretty much my porn. Finally, a scenario in which black metal can be good. […]

Album Review: Pupil Slicer – “Mirrors” 9/10 (Hardcore)

It’s been a quiet start to the year as far as hardcore goes and Pupil Slicer are one of the first big albums to drop on my radar. Everyone’s talking about this one, so who the fuck am I to not check it out? I knew I’d be hooked as soon as the music slowed down with blackened shrieking on the opening track “Matyrs”. […]

Album Review: The Scalar Process – “Coagulative Matter” 7/10 (Tech Death)

There’s so much room in this bad boy. Some albums you put on and demand entertainment every second from, and then albums like this one that you can just put on and expect it to fill the room. You won’t always be aware of everything going on, you’ll daze in and out of the majesty of it. It’s a slower-paced kind of tech death with a strong emphasis on atmospheric instrumentals, well, it’s still fast as hell but more spread out. […]

Album Review: Scarred – “Scarred” 9/10 (Tech Metal)

I knew based on the psychedelic but modern album art this would be an interesting one, digging the aesthetic right off the bat with sounds akin to an old cassette being worn out and playing warped audio. Scarred brings extra noises to their tracks just to make them pop a little more, whether it’s an offbeat guitar tone or an offbeat guitar effect that blends into the atmosphere. They could have made the exact same progressive groove thrash that all the rest with a Gojira inspiration have done but they went with something more original. I’ll be listening to this one all year. […]

Album Review: Fractal Generator – “Macrocosmos” 7.5/10 (Tech Death)

I know that opening sample orb-like sound, for sure. It’s either from an Elder Scrolls game or STALKER game, or maybe I’m plain wrong but what is supposed to be THE fractal generator is definitely a sound I’m familiar with. Or maybe this band really does make music about software for fractal pattern processing. Whatever it’s about, one thing is certain, this is a very cinematic technical death metal album that stays on the heavier side of the genre while also offering some mind washing sounds. […]

Microdose: New Splits Volume 1

Splitmania! It’s time to review some new splits coming out and recently released that have caught my eye and to showcase the bands on either side. A lot of experimental music, which is the best use of a split if you ask me. Delve in and explore the bands that make each side special. […]

Album Review: Stortregn – “Impermanence” 9/10 (Black/Death)

This year is starting strong for melodic death metal and Stortregn have brought us a cheese-free adventure with their new album Impermanence. Can The Artisan Era label do any wrong? I haven’t heard a single bad album from them in the last year or two and this is a fine release for their catalogue. Tuck into it! […]

Album Review: Humanity’s Last Breath – “Välde” 9.2/10 (Technical Deathcore)

Humanity’s Last Breath made a big impression over here with their heavy as balls sound in 2019’s Abyssal, now they’re back on the radar with some innovations to show off. This album uses a lot of sound design to create a more unique approach to blackened deathcore that utilizes every instrumental technique available and even additional symphonics. You can see on their Bandcamp that they’ve been very busy producing tunes but also producer packs during the time between Abyssal and Välde, clearly very talented audio engineering from guitarist and producer Buster Odeholm (Vildjharta, Born of Osiris, Oceano). […]

Microdose: Svn Seeker, Crypticus, Dreamwell, Settle For Shadows, Scythian Fate & AntiMozdeBeast

What are Twitter mutual’s in this context? A lot of bands follow me, but a lot of cool people who are in bands also follow me and these people are either very supportive or talkative, but I’m so daft I barely realise they’re in a band a lot of the time. So every now and then I’ll be taking the time and initiative to double check if my friends are in bands then have a listen! Turns out they’re fucking brilliant. […]

Album Review: Dead Exaltation – “Despondent” 8.5/10 (Death Metal)

A death metal album with an unexpected amount of melody, it doesn’t even present as melodeath, it’s far closer to straight slapping brutal death metal that occasionally shifts the tempo down into a straight up clean guitar serenade as if I somehow accidentally listened outside the album or the musicians forgot the set list. It should be a harsh comparison to then start up the death machine again but it just works so well, perhaps due to the tight guitar tones. […]

Some Cool Artwork I’ve Seen So Far 2021

We don’t browse Bandcamp the same way. No idea what some of these sound like, found them during other tasks such as the Free Bandcamp Wiki. Pics link to the album on Bandcamp if possible, otherwise another official platform… never spotify. I didn’t do an artwork end of year list in 2020 like I did for 2019 which is a shame because people responded well to it, now I’ll be prepared. […]

Album Review: Undergang – “Aldrig i livet” 9.4/10 (Death Metal)

Fun. A lot of fun. There’s something Undergang does in their writing that draws you into it with all of your enthusiasm. Some parts of this had me moving like the metal version of those goth kids dancing at the underpass or the wacky waving inflatable tube man. On the other hand, they managed a few times to descend into an utter dirge that will tickle your dark. It’s a varied album that comes off as an intelligent deconstruction of death metal rather than blind worship of it. They have a deep understanding of old death, doom and grind – far beyond my own. […]

Album Review: Depravity – “Grand Malevolence” 9/10 (Death Metal)

Grand Malevolence is the death metal album I’ve been waiting for this year. Many have come and gone, some solid albums but even with Necrot and Ulcerate releasing huge albums I was still reserving my fandom for something specific and until now, undefined. It’s a big boy, with many five minute songs making up forty-nine minutes total but not a minute is wasted. Depravity are a machine that will keep force feeding you your own shit the whole time then at the end you’ll doff your hat and thank them. […]

Album Review: Ewigkeit – “23” 7/10 (Stoner/Prog)

A lot of fun right here, well, it’s short due to being an EP but what’s there is a very fun stoner love letter to the 70s. The thing that really ties it together for me, is the fact that it’s themed around my favorite books of all time, the Illuminatis! Trilogy. I’m used to a lot of whacky themes that are far more common than people realise (particularly in stoner), but I’ve yet to see any Discordian representation as of yet. If you’re in the know, then you’ll have fun cherry picking this release for references, artwork included, which draws upon Discordianism’s love of gratuitous symbolism. Be prepared for the most I’ve used air quotes in an article. […]

SPIRIT ADRIFT release new single “Astral Levitation”, off of new album “Enlightened In Eternity”, out October 16th

Here’s the details and a taste of the upcoming Spirit Adrift album, following their 2019 underground hit Divided By Darkness which caught the attention of many metalheads with it’s classic stylistic artwork by Joe Petagno. Newcomers prepared to be warmed by the classic Heavy Metal sound wrought with modern tones. There’s also details surrounding a 2021 European tour with Corrosion Of Conformity which is quite an interesting combination, both very classic bands in their sound but of different styles and aesthetics. I also wasn’t aware that they were a humble DUO, as per the additional context provided towards the end. […]

Album Review: Sleepscultper – Sleepscultper 9 (Math/Hardcore)

I took a second listen today just to make sure what I heard is what I heard, and fair enough the very opening seconds shot right down the back of my neck and down the spine. This appears to be a vinyl re-release combining their EP and debut LP, put out by Silent Pendulum Records on Bandcamp as Name Your Own Price. I seriously recommend the labels discography for the 10 bucks just to have them in collection and support the label. It’s run by the current drummer of The Number Twelve Looks Like You, Michael Kadnar, and they put out vinyl reissues of The Number Twelve and many amazing new releases from upcoming bands. You can hear all about it in my interview with him and DJ Scully here. […]

Switch Review: Pokemon Sword 4/10

If you’re a 30 year old gamer boy like I am then you’ve probably played every generation of Pokemon from Blue & Red to Black & White, very much like myself. We spent months playing a single game as a child, binged them in weekends as a teen and as adults we still revisit some of the games every year. When a new pokemon game comes out we all get this pang of curiosity, we ask ourselves “Am I STILL ready for my very own pokemon adventure?” but we aren’t sure what the deal with these new graphics are, or what half of these new pokemon are and what’s the deal with these kids and their motion controls? Don’t worry, I’ll set everything straight and you’ll probably still want to give a couple of addicted weekends to this game. […]

Album Review: Intercepting Pattern – The Encounter 8.5 (Jazz Metal)

People may be apprehensive when seeing jazz in the genre descriptor for a metal album but Intercepting Pattern manages to overcome many of the failings typical to this style. At first you may suspect it is an instrumental album which is very common for jazzy metal – fortunately there are great vocals on this album and without them it would be more run of the mill. There’s also the use of programming elements such as electronic harmonies or other artificial sounds to accompany the alien like guitar tones. It’s a well written story that plays out in a thoroughly entertaining manner. […]

Album Review: Karmacipher – “Introspectrum” 7/10 (Death Doom)

Atmospheric death metal is more accurate than death doom but you’ll hear the similarities to bands like Mortiferum or Void Rot. There’s a dirge as well as dissonance but Karmacipher have much more of a theatrical element. I’d consider it mildly technical. It’s a good album to put on if you have a decent speaker setup, there’s a lot of impact and nuance. […]

Album Review: Aversions Crown – “Hell Will Come For Us All” 7.5/10 (Tech Deathcore)

Aversions Crown is one of the bigger modern bands of Australia, among titans like Psycroptic and Disentomb. Much the same as those bands, it’s usually a good few year wait between albums so Hell Will Come For Us All is a much welcomed release to fans of sci-fi death. At the very least, there are many improvements over their 2017 album Xenocide. Gotta love the Burke work though. […]

Album Review: Atrae Bilis – “Divinihility” 9/10 (Tech Death)

Stand by for high impact music. This is a dissonant piece that manages to subvert the trappings of many dissonant bands who rely on one or two repeated chord or feedback gimmicks to produce the dissonance. These guys achieve it with the song writing. Top it off with some very nice artwork and you have here a damn fine album. […]

Album Review: Void Rot – Descending Pillars 8 (Death Doom)

A pinch on the arse this record is, a solid helping of death doom with an emphasis on the death. I’ve been waiting for this one, waiting. Unfortunately for the rest of you rubes, September is when you’ll be hearing this beast in its entirety. I’d go ahead and call this a safe bet for pre-order, not only does it sound good but you can gauge your expectations by checking out their previous output, a Void Rot/Atavisma split out earlier in 2020 via Everlasting Spew. That split set a tone that I wanted more of, and here it is! […]

NAPALM DEATH announce new album “Throes of Joy in the Jaws of Defeatism”

Just a quick one before I go away for the weekend, as I know how many of you love Napalm Death. My relationship with them isn’t as tight as I’d like and this is another daily reminder that I need to take a deep dive into their work. I’ve heard a fair bit of their music and dig it, as well as the general message within, I just haven’t heard with much context or chronologically. Feel free to drop your favorite albums in the comments and I’ll start there. I recently saw Slave To The Grind, a grindcore doco that features them heavily, you can check that out here too. […]

Album Review: 156/Silence – Irrational Pull 8 (Metallic Hardcore)

They really buried the lead with this one, it starts off much more typical than I would like for metallic hardcore, being closer to what I wanted the new Code Orange to be without adding all that much. About halfway at the track “Lost Visual” however, is an insane sonic moment that gripped me and filled me with shivers, allowing me to appreciate more on repeat listens. With that said, there are a few things for the album as a whole that could have improved it significantly. […]

Album Review: Black Pestilence – Hail The Flesh 8 (Black/Thrash)

A tasty morsel of ye ol’ black metal and something newer, something wilder. I don’t even mean modern, there’s just a lot of elements that deviate from the standard melodic and long winded frameworks that are popular right now with genres like post black making a huge push forward. This has punk and heavy metal vibes in it, it’s interesting because it’s easily beer drinking kind of metal but it’s also more sophisticated musically than that descriptor does justice. It’s a damn good time. Revel in the flesh! […]

Album Review: Death Courier – Necrotic Verses 8 (Death/Doom)

A surprising re-entry album from a legacy Greek band, this is their first major release since 2013 and their first one on Transcending Obscurity. Since the 80s Death Courier have undergone several lineup changes and lengthy breaks but the creative force of Billy Soulas drives on unimpeded with this fantastic death record. You can always tell when an album is made by people who have been playing a specific genre for a long time, it has those old school vibes without trying too hard, a bit of that Cannibal Corpse Bloodthirst hammering. Less trendy and more authentic in sound. […]

Australian Heavypedia: Interview with Shatter Brain (Death/Thrash)

Shatter Brain just put out their debut LP Pitchfork Justice after having a split and demo to their name since their formation in 2017. This new album marks a rise for the band in the underground Australian metal scene with an overall well rounded product. It certainly helps that they host a couple of their states largest metal festivals. […]

Album Review: Body Count – Carnivore 8.5 (Metalcore/Rap)

I’ll admit, I’ve listened to a lot of Body Count, as in, I’ve listened to the same album from the 90s a million times and never bothered going further or exploring their discography. So this album opened way fucking harder than I was ready for. I mean, second track around the 2:20 mark I had no choice but the throw-down – do you know how much strain that is for a 30 year old smoker? There’s a lot modern deathcore/metalcore elements that work nicely into the rap/rock dynamic. […]

Australian Heavypedia: Interview with Aeons Abyss (Death Metal)

Aeons Abyss are releasing a stand alone conceptual single on April 3rd called “The Great Hanging” that features a collab with fellow Aussie Shanon from Eternal Rest. Here is the link to pre save on Spotify and there’s a bit of a teaser video in the interview. Both of Aeon Abyss’ 2019 releases, Pity Eloquence and Impenitent are Name Your Own Price on Bandcamp too. […]

Aussie Heavypedia: Interview with Dyssidia (Progressive Metal)

I am really happy to do my second phone interview and it couldn’t have been with a more chill person. I had a chat with vocalist Mitch Brackman from Dyssidia who have just released their debut LP on the 17th of March after a decade of EPs and playing live with bands like Opeth and Katatonia. Their new album Costly Signals is an impressive work, I reviewed it recently here and I can’t get enough of it. It’s an essential listen. We talked about a good range of things like the writing process, interpreting art, touring in Australia and of course Covid-19 and the effects that’s been having on the creative process. Mitch says to keep your chin up and make content. […]

Album Review: Code Orange – Underneath 4 (Hardcore/Nu Metal)

Before going into this album I’m in the headspace of someone who has followed the band since they were “Kids” and I wasn’t a fan of the first single from this album. The second was better. Either way I’m excited to hear the full thing because I want to know what happens between those singles and how those weird sounds fit into the overall context. The cinematic Slipknot opening and good album art elevate the suspense. This is more than I can say when facing most albums regardless of how it shakes out. […]

Album Review: God Dethroned – Illuminati 5 (Melo Death)

Do you like overt lyrics about secret society chanted over meldo death? Do you like the rhythm elements of Rivers Of Nihil minus the progressive flair? Then say no more, I’ve got you covered with the new God Dethroned. It constantly switches between being really heavy and being a bit limp. At its peak it works these two sides together to make a dramatic record. Not necessarily a very good one. […]

Album Review: Dopelord – Sign Of The Devil 6 (Stoner Doom)

Just earlier this year when I reviewed the latest Major Kong album I was asking why there isn’t more theremin used in doom metal, well here’s my answer. Another great doom entry with a high pitched aesthetic and a playful sound. Get ready to ride the satanic wave in a relatively chilled out fashion. It doesn’t exactly challenge anything but that doesn’t bother many doom fans. It’s more of the good stuff from indie legends. […]

Album Review: Fires In The Distance – Echoes From Deep November 7.8 (Death Doom)

A dashing debut album that ranges from gothic doom to melodious death doom with equal finesse. There’s a lot of nice tones on this album with what sounds like some real keys instead of symphonics. It’s very atmospheric and in the realm of Katatonia and Amorphis fandom which we all love. We’ve got a really nice piece of art here done by Caelan Stokkermans who I have covered previously. Not sure if they did the design as well but I love the logo and album title typography. […]

Album Review: Dyssidia – Costly Signals 9 (Prog Metal)

Australia is no stranger to progressive metal with bands like Ne Obliviscaris, Be’Lakor, Caligula’s Horse and a bunch more. Dyssidia have produced what very well may be the best progressive metal album of the year. It’s huge and it’s full of outsider influences that help skirt the usual trappings of the genre. The album art is by Adam Burke who I will never get tired of, his style is as versatile as this album. […]

Album Review: Devangelic – Ersetu 8.5 (Brutal Death)

Double kicks behind chugging breakdown riffs, this is my kind of brutal. The opening lick of the album lulls you and pulls you in only to have your shit reversed by sheer force. This is the third LP from Devangelic and my entry point to their discography. So far I’m definitely on board, this is some crushing death metal at hectic speeds. […]

Album Review: Behold… The Arctopus – Hapeleptic Overtrove 7.8 (Experimental)

I love the way this album opens, it’s such a tantalising progression to begin with. The percussion is unlike anything else I’ve heard with all sorts of rattles and satisfying timing. It’s a very stripped back but hyper focused album that displays a lot of instrumental versatility and storytelling in league with Bongripper. It’s not just an instrumental album, it manages to push boundaries and explore some shit. It’s a bit front loaded but it was a great space to start off in nonetheless. […]

Album Review: Ara – Jurisprudence 8.5 (Death Metal)

Long wormy kind of crawling technical death metal. This a death project consisting of three members of Northless, a sludge/post metal band, so it’s pretty evident that they are more comfortable playing in that longer form. It’s pretty damn good. The artwork is by Eliran Kantor, who is a metal art superstar right now and much like Adam Burke, his work varies with each piece and has a long lifespan. It’s a fantastic wrapping for this sound. […]

Album Review: Tulus – Old Old Death 7.8 (Black Metal)

This is the first Tulus LP in eight years and they are coming back fully loaded. In that down time they formed the band Khold so they weren’t completely without practice. Now they’ve returned to their original project with this new album Old Old Death and I gotta say, it starts off with a lot more pep in their step than I was expecting, many of these riffs would be just as fitting on a blackened speed metal record. Modern black metal albums have a tendency to take too long starting up but not Tulus, they’re bringing the noise up front. The first impression from the artwork on the cover nails it. It’s a fantastic blending of castles, cosmos, forests, bats and a skull. You always expect one of these things on a black metal cover but all of them? They’ve cornered the market. […]

Album Review: Igorrr – Spirituality and Distortion 8.5 (Avante Garde)

Alright! Been excited for this one. The first single that dropped for “Very Noise” with the weird ass video was a strategic move on the part of Igorrr as it was very much a track that was hard to decipher and didn’t give much away, being purely a noise orientated and atmospheric piece with a bit of a technical guitar melody at the end. The opening of Spirituality and Distortion however, assures us of the heavy, more metal aspect of the Igorrr sound. Mixed in various ways with contrasting genre elements, naturally. […]

Album Review: Tommy Concrete – Unrelaxed 2 7.5 (Prog Metal)

Bizarre. Really. Also interesting and competent music. Tommy Concrete is familiar yet alienating, like an estranged family member or lover returning after many years. It combines a lot of old school heavy metal and power riffs with elements of sludge and death, funneled through a progressive metal kind of song writing structure. The themes are deeply personal and, much more self aware of behaviour than typical of these genres which are often laden with bravado and self assurance. Musically the comparison to Devin Townsend is most apt, both in relation to the sound and the unique edge that comes with the lone creator. If you support underground music then check this out. […]

Video Premiere: Kari Rueslåtten – Sørgekåpe (Indie Folk, Norway)

Let’s end the week with something more serene to help us wind down from the various shows and album release hype mongering. This is a single from Norwegian singer songwriter Kari Rueslåtten who many will know from her early work with the experimental doom band 3rd and the Mortal, a project that played a crucial role in the early days of the metal scene – inspiring many future bands to be inclusive of female singers. The single “Sørgekåpe” is the title track of the forthcoming album Sørgekåpe out May 8, 2020. This will be Kari Rueslåtten’s eighth solo album to date and the experience is shown through it’s elegance. […]

Album Review: Afterbirth – Four Dimensional Flesh 8 (Brutal Death)

At first I thought this was just bad lofi death but as the album progresses, the more intrigue is revealed. There’s a strong The Chasm influence here and the premise seems to be a modern version of that with some newer, brutal ideals brought into the cosmic mix. They do well to achieve the atmosphere but the more straightforward heavier segments fall a bit flat beneath the intentionally muddy production. It works better in some places than others. The underlying thesis is solid however, something refined from decades of being a band and also having members experienced in other bands. Overall it’s one of the more interesting albums on the Unique Leader roster that you can listen to for yourself when it’s released on Friday the 13th. […]

Death Metal Week Vol 1

Welcome to death metal week on Noob Heavy where I do a special 5 review microdose with some additional stats to recap on all the death metal we’ve heard so far in 2020. Check all that out below the feature, it includes some brand new full death metal reviews. Also I’ll be giving away two copies of Harvesting Our Decay by Third Chamber on cassette, one via Twitter and the other IG so keep your peep peeled. […]

Album Review: Trauma – Ominous Black 6.5 (Death Metal)

Trauma are a long running band that I have not heard of until now. Within that context, I have to imagine this one isn’t on the discography hit list even among fans but I could certainly be wrong. It’s highly serviceable but didn’t bring anything new. It sounded a lot like The Beast or Revelations era Vader with more of a prog and melo death aspect to it. It will be enjoyed by many but in my opinion it does more to look the part than actually play it convincingly. Even on a technical level it doesn’t feel very creative or like it has room to breathe. […]

Microdose: Hellripper, Clayshaper, White Crone, & Sallow Moth

Four great albums, four short reviews. The theme is solo visions, so people who through a lot of hard work put together their own album. They’re all highly creative people who put out quality music on their own terms, and often with the help of a friend or two. I’ve basically covered at least one solo project every dose and half of my reviews are of solo projects, I’m just drawn to them. […]

Album Review: Sutrah – Aletheia 10 (Progressive Death)

I have listened to this album so damn much, every time I open my promo library I just have to hear it again. I’m addicted to it. It does so much in the perfect amount of time, 28 minutes of thoughtful, creative and powerful song writing. It has top notch presentation, production and it’s full of ideas that I find moving or stimulating. The artwork, which is among the top I’ve seen this year, is basically depicting me each time I had a revelation about Aletheia while listening. […]

Album Review: The Motion Mosaic – Avant-Garbage 9.2 (Mathcore)

I’m a huge fan of post hardcore and mathcore, sometimes it even threatens to overcome even my love of metal. This is the second major release from The Motion Mosaic following up their 2016 album Samsara which is well worth a listen but is a very different release, a different part of the bands development. The ideas and experimentation are there but are looser. Now with Avant-Garbage they’ve tightened it up and turned it on it’s head. There’s nothing loose about it, this is a hard hitting yet elegant core album with all the makings of an end of year list candidate. […]

Microdose: I Drink My Coffee Alone, Pick Axe Preacher, Done To Death & SAONI MA

Four great albums, four short reviews. This time we’re dealing with a stranger bunch and that’s pretty damn exciting. This is the result of a deep dive into Bandcamp new arrivals, all of this albums are hardcore or hardcore adjacent with a few twists and turns of their own. And three of them are Name Your Own Price! […]

Microdose: Chrome Ghost, Major Kong, Zyclops & Swamplord

Four great albums, four shorts reviews, as always. This time though, it’s four doom ass albums so you’ll want to collect them all. Four very distinct flavors from all over the world, and mostly trios… why are stoners/doomers always hanging out in threes? Now you also don’t HAVE TO tilt your phone because the images are all on the same side, in theory. […]

Album Review: Symbolik – Emergence 9.3 (Melodic Tech Death)

An album a decade in the making and carrying influences from across a length of time, making for a pretty unique combination of melodic death metal and technical death metal, though with a blackened touch. The riffs on this one are addictive and varied but never without a sense of outlandish melody. This one will absolutely slap your ears about and demand many listens. Emergence comes out on the 10th of April. […]

Album Review: Live Burial – Unending Futility 8.7 (OSDM)

For once I’m not just reviewing this because it’s on Transcending Obscurity, this album also features the artwork of Luke Oram who I’ve covered so much that he earned his very own category on Noob Heavy. Why? Because he’s criminally underrated and deserves way more exposure for how prolific he is in the metal scene. From what I understand, Live Burial themselves are quite close to Luke over there in the UK. So it’s all wrapped up in my favorite things, but is Unending Futility any good? Yes! It’s very good, it’s quite a memorable old school death metal release. […]

Album Review: The Number Twelve Looks Like You – Wild Gods – 9 (Mathcore)

These guys play a variety of music that most metalheads would see on paper and decide it’s not for them, I’m talking screamo and jazz. The Number Twelve have always been on the experimental side of post hardcore and mathcore, which if you ask me, is the only side of these genres – I’ll save you my rant about the origins of post hardcore being rooted in experimentation and then being degregraded by the popularity of a particular handful of bands. They’ve stayed true to that experimentation with this new album, something I was not expecting since I was unsure of the bands status in recent years. I’ve been a fan for well over a decade and am recently stirred up by 2019’s The Callous Daoboys, so I’m more than excited to dig in. […]

Microdose: Venom Prison, Necropanther, Descent & Harbinger Of Storms

Four good albums, four short reviews. This week there’s almost a theme with double death/hardcore. Throw in some blackened thrash and epic synth doom and you’ve got a good time. If you dig all four of these then hit me up for a sweet high five, because you’re a cool person. Also I do this every week but I keep having to check the previous one to remember how to format it. Mobile users, tilt that phone! Seriously, or it will appear jumbled… next week I’ll probably put all the images on the one side… lol. […]

Album Review: Comaniac – Holodox 9 (Thrash Metal)

Welly well well, if it isn’t the second thrash album I’ve liked in the last year. This is an exceptional album where the guitars speak eloquent paragraphs while the vocals provide badass lines. There’s a lot of time for the guitars on this album and they’re more on the technical side of thrash which basically a requirement for me to enjoy it. I believe this is also bolstered by the fact that production was done by Tommy Vetterli who has also worked with Coroner – one of the few thrash bands I listen to. Due out on the 3rd of April and independently, to my surprise. […]

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Carcassbomb

noobheavyau@gmail.com

Australian. Owner of Noob Heavy, writer at Toilet Ov Hell, Podcaster and PR person. Studying a Bachelor of Fine Arts (Creative and Professional Writing). I can be a real grumbly mother fucker and I can be entirely supportive depending on the day, either way I tweet too much. Noob Heavy Radio is one of my favorite projects, It’s insane the interviews I’ve been able to do in 2020 like Jonas from Katatonia, Trevor from The Black Dahlia Murder and Schmier from Destruction. I also got to do a written interview with none other than Tommy Giles from Between The Buried And Me. Massive brags but fuck you, this is literally my page on my website on my computer in my room. I also have a lot of metal cassettes in here. Oh and I play guitar but not cool enough to join a band and not good enough to learn how to use Reaper properly.