2020 Albums

Album Review: Wardaemonic – Acts Of Repentance 9.5 (Black Metal)

Alright, what is in the bloody water over at Perth? The amount of bands coming out of there at the top of their game is intense. It’s unlike anywhere else on the continent, and they’re even on my favorite label, Transcending Obscurity. This label has good taste, every album that gets released there has some kind of quirk or progressive music ideology that separates the bands from their genre. This isn’t just another black metal album, it’s an experience equally capable of being a mosher and a thinker. It unravels unto your mind and stirs something in your soul. Acts of Repentance releases on the 20th of March and will be one of this year’s highlights just based on the sound and presentation combination happening here. It’s a high quality and well-rounded album. […]

Crypt Crawler Unveil Artwork And Single For Upcoming EP “Blood Sustenance”

Crypt Crawler are one of my favorite Australian death metal bands, their 2019 LP, To The Grave made it on my Top 25 Aussie Metal Albums list and I’ve covered them in various other ways. These boys are the fresh new face of Aussie death metal and they’ve just announced a swift follow up EP titled “Blood Sustenance” that is due for release March 13th, 2020. Pre-Orders are currently up through Bandcamp here. It was the quickest I have ever gone from seeing an announcement to purchasing a pre-order in my life and it’s only 4 dollarydoos which in your currency is probably like 2.6 dollars. […]

2020 Albums

Album Review: Snorlax – II 8.5 (Black Metal)

Snorlax, besides the bubbly pokemon, is a not so bubbly blackened death solo project created by Brandon Auld, who is an Australian metal machine from my neck of the shit-woods Brisbane. He’s involved in numerous projects such as the death/hardcore band Descent and recording/Mixing as Black Blood Audio. Brandon also joined Siberian Hell Sounds and started Consumed in 2018, then started up Necroseptic and did a split as Snorlax in 2019. How do you know when you’re done? There’s a methodical nature to the creative process that ferments over years and almost always starts with a demo, from barebones to the whole damn skeleton, you can see the vision building. This is especially true with his solo project Snorlax which will confront you as harshly as any full band would dare. […]

grindcore

Australian Heavypedia: Abu Ghraib (Grindcore)

I encountered Abu Ghraib on the Metal Archives while first scouting for this project and their band photo was so funny and endearing I ended up saving it “for later” which I guess is now because they’ve recently released a massive grind album that surpasses even their sublime memery in ability and entertainment value. There was no sign of this beast earlier in the year with just a demo to their name and hardly an online presence but now I’m convinced they are going to be huge, well, as huge as grindcore can get in this country. […]

2019 Albums

Album Review: Mental Cavity – Neuro Siege 8.6 (Death/Grind)

Do you like death metal? Do you like hardcore? The easy answer to both of these questions is fuck yes! And so you’ll quite enjoy this dark and gritty stomper of a release from Australia. We can’t make any kind of music without throwing a thick layer of sludge on it and that makes me really bloody happy. It’s the cheese of music, you can put it on almost anything. Considering there’s already the presence of hardcore and death metal stylings, this album is basically like locking a bunch of random neighbourhood dogs in a room that’s just got a grimed up tarp on the floor. […]

2019 Albums

Eternal Rest – The Picture Of Hatred (Death Metal)

Brisbane has been coming out with some pretty awesome metal lately and Eternal Rest are no exception to this. Their third album The Picture Of Hatred has a lot to boast about for a band from such a humble part of the world (arse end of Australia, I’m here too so I can admit it) such as having this release on the American label Gore House Productions, album art from french artist Remy Cooper and being mixed by the iconic Dan Swano (what?!). With this in mind you might be imagining something quite fancy or even melodic… Yeah nah, this album is filthy, often finding itself on the grind side of death. There’s a sense of nihilism and discomfort, so naturally I enjoy it. […]