There’s really no beating around the bush here: personally, The Horrible And The Miserable by Death Goals has gone right up there with the likes of For Your Health and Pupil Slicer as one of the best hardcore releases of the year so far. […]
Music has long provided a powerful outlet for feelings of loss and grief. Of course, that makes a lot of sense; it’s something all of us go through, including the artists we love, so it’s only natural that many would want to express those experiences through their music. The list of great works inspired by these themes is long and spans pretty much every genre, with several prime examples from the last few years alone. These include the consecutive masterpieces of Skeleton Tree and Ghosteen by Nick Cave & The Bad Seeds, Touché Amoré’s devastating Stage Four, and We Lost The Sea’s critically-acclaimed Departure Songs. […]
It’s been a quiet start to the year as far as hardcore goes and Pupil Slicer are one of the first big albums to drop on my radar. Everyone’s talking about this one, so who the fuck am I to not check it out? I knew I’d be hooked as soon as the music slowed down with blackened shrieking on the opening track “Matyrs”. […]
It seems that screamo, or ‘skramz’, has been in a really good place over the past few years. The list of bands who’ve put out great records that broadly sit within that world is pretty endless at this point, with recent standouts including Frail Body, For Your Health and Frail Hands, to name a few. Seeking to add their name to this list with their second full-length, entitled Modern Grotesque, are the Providence-based ‘emo post skramz’ five-piece, Dreamwell. Off the strength of this record, it feels like they belong there. Modern Grotesque is an album that’s thick with a heartfelt emotion and passion. Often, this manifests as something quite visceral and abrasive, but it can also be extremely melodic and even moving at points. […]
There’s been a fair bit of buzz around For Your Health since their inception in 2018. A large part of this is no doubt down to their impressive work ethic. In 2019, they played some 100 shows, releasing an impressive split with Shin Guard and an EP in the same year. Last year they had even more shows planned (apparently at least 160) but these were sadly cut short by the COVID-19 pandemic. Of course, hard work is all well and good, but will only get a band so far if the music isn’t there to back it up. Fortunately, the quartet’s debut full-length In Spite Of, like their shorter records before it, definitely delivers on that front. […]
Infant Island provides a noisey kind of skramz approach to the genre and I’ve been wondering what albums are out there post 2010 to listen to. Well, this is one of them. […]
I’m a huge fan of post hardcore and mathcore, sometimes it even threatens to overcome even my love of metal. This is the second major release from The Motion Mosaic following up their 2016 album Samsara which is well worth a listen but is a very different release, a different part of the bands development. The ideas and experimentation are there but are looser. Now with Avant-Garbage they’ve tightened it up and turned it on it’s head. There’s nothing loose about it, this is a hard hitting yet elegant core album with all the makings of an end of year list candidate. […]
Four great albums, four short reviews. This time we’re dealing with a stranger bunch and that’s pretty damn exciting. This is the result of a deep dive into Bandcamp new arrivals, all of this albums are hardcore or hardcore adjacent with a few twists and turns of their own. And three of them are Name Your Own Price! […]
Between The Buried And Me have been a huge part of my music rotation since they first endeared themselves to me with Colors in 2007, a progressive metal masterpiece by many peoples admissions. Since then I have eagerly followed their musical journey as they refined their sound and experimented with different themes. I love a themed album and Between The Buried And Me are masters of exactly that, so I’m stoked to announce that not only are they coming to Australia for an east coast tour, but they’re doing so with an ambitious themed double set. Tickets for the shows (Brisbane, Sydney and Melbourne) can be purchased here through their official website. […]
These guys play a variety of music that most metalheads would see on paper and decide it’s not for them, I’m talking screamo and jazz. The Number Twelve have always been on the experimental side of post hardcore and mathcore, which if you ask me, is the only side of these genres – I’ll save you my rant about the origins of post hardcore being rooted in experimentation and then being degregraded by the popularity of a particular handful of bands. They’ve stayed true to that experimentation with this new album, something I was not expecting since I was unsure of the bands status in recent years. I’ve been a fan for well over a decade and am recently stirred up by 2019’s The Callous Daoboys, so I’m more than excited to dig in. […]
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