Brisbane has been coming out with some pretty awesome metal lately and Eternal Rest are no exception to this. Their third album The Picture Of Hatred has a lot to boast about for a band from such a humble part of the world (arse end of Australia, I’m here too so I can admit it) such as having this release on the American label Gore House Productions, album art from french artist Remy Cooper and being mixed by the iconic Dan Swano (what?!). With this in mind you might be imagining something quite fancy or even melodic… Yeah nah, this album is filthy, often finding itself on the grind side of death. There’s a sense of nihilism and discomfort, so naturally I enjoy it.
Well that was unsettling. Ploughshare play a fucked kind of black/death/sludge metal that will make you feel physically unsafe even in the comfort of your own home. Tellurian Insurgency is their brand new EP through Aussie label Brilliant Emperor and it releases on the 29th of November. Not an album for the easily scared, if this is you, then turn your radio back on and continue listening to Kyle and Jackie-O, you clicked the wrong social media link. Happens to the best of us.
It’s stupid how fast this grindcore is, its speedgrind. Overall I’m super impressed with Abu Ghraib as an Australian band, I originally found out about them by scouring the Metal Archives for hours searching by Australia for the Heavypedia project. I encountered Abu Ghraib and their band photo was so funny and endearing I ended up saving it “for later” which I guess is now because they’ve released a massive grind album that surpasses even their sublime memery in ability and entertainment. There was no sign of this beast earlier in the year with just a demo to their name, don’t be sleeping on this one.
It’s been a few weeks since I’ve covered a straight up rager on this site, so when I heard “The Tether’s End” by Remission, i knew I had to talk about it. Remission are a death metal band with some thrash influences and melodic death metal textures. This is their debut album and it’s set for release on November 15th. This is one you aren’t going to want to miss!
Munt sit in an extremely niche style of extreme metal, I niche I enjoy quite a lot. That is blackened deathgrind. The most easily recognizable example of this genre is probably Full Of Hell. It combines the raw intensity and speed of grind with the overbearing evil murky atmosphere of black metal.
The vocals here sound fucking ungodly dude. It’s these evil high pitched black metal screams that are just as sporadic and intense as the blasting drums. In true grind fashion this is ruthlessly heavy, not once does it let up. Definitely good stuff.
Endless is straight up ‘the shit’, that’s the most important fact of this review. It’s an album that has made me swoon like few others this year and it’s not exactly that metal or heavy. It is however, perfectly suited to the current climate of stoner rock and doom, bringing something quite zesty and refreshing, a fusion of fuzz, alt rock and doom rock. I’m hearing influences from Type O Negative and My Bloody Valentine, it’s super inspired and engorged with energy despite the doomy tempo. They nailed it musically and in terms of doom aesthetic – something Australia has been refining for some time now.
I became familiar with Satta through IG as I follow a lot of dark artists suitable for band merch, Satta however has a classical approach to the style that outshines the rabble of common assets and lazy work ethic. His art is not just dark by subject, it embodies it fully, from conception to technique to completion. It’s a higher brow darkness. I also became familiar with the aussie OSDM band Aeon’s Abyss through instagram, who ended up commissioning Satta for their upcoming album Impenitent (Nov 1), a fortunate pairing sharing similar classic metal values. Here is an interview with the artist Satta in which we discuss influences, the upcoming album and living as an artist.
Despite weed being illegal here (QLD), we sure know how to do some solid stoner rock and stoner doom, here and across the the rest of the country. Obviously South Australia is a bit ahead of the curb but those cunts have a bit more of a relax than we do, what I can I say. The Brisbane strain is a bit angrier and a bit grungier.
Before even pressing play I am more or less in love with this album and I think the concept of Morrowind Metal has been a long ass time coming. Morrowind was the game of my life, no doubt about it, I found it at Video Ezy on original XBOX when I was 11. I played Morrowind and only Morrowind until Oblivion was released on 360 when I was 15. I have an encyclopedia like memory of that game and its many quest lines, as well as exploits. I found that fucking Dwemer Cube about 300 times. I’ve played it plenty as an adult too, fully modded. This is even more in my wheelhouse than Dark Souls. The Ritual Aura are also an Australian band with great album art. The music would have to suck more balls than I can imagine being sucked to fuck this up.
Altar Defecation are a hidden gem among the Australian black metal scene. This new EP is very much proof of that, this is one of the best pieces of pure black metal I’ve heard all year. First of all, the production is WAY better than what you would typically expect from this type of thing, it is mixed very well. Instrumentally it’s pretty standard for it’s genre, it is very riff heavy tho, especially on the track “Fiend”.
There are also some synths thrown in the mix that make things pretty interesting, specifically on the closing track. The vocals are very well performed standard black metal screams. The bass is very present too. The atmospherics and lyrics on the EP create a very evil and occult theme and mood. Blasphemous themes are heavily explored here too and i can always get down with that.