Rings Of Saturn have been around for a bit perfecting their insane brand of techno death metal, and with this latest album they prove they can soar alongside current titans Infant Annihilator and Cattle Decapitation. 2019 keeps upping the vocal game and setting an insane standard that most just can’t compete with. Add an overgrown child prodigy of a guitarist and you’ve got the essence of RoS, it’s excessive… and fancy. Utilizing brutality with finesse rather than toxic bravado. I’ve heard so many albums try to reach this peak but fall short, so it’s not without pause that I consider this one of the greatest tech death works of like… the decade? Imagine if Dragonforce was good. […]
Anyhaciger Apocalyptic Nuke arktipe_ Artifakt Art Atom Smasher Design Ba_Vierling Black Gallows Broumaster Visualdecay Carlos Fides Carnivor Arts Christopher Lovell David Paul Seymour Devin Francisco Diegogedoz Digtrash.art Dominic Sohor (Gurt) Doomscribe Dr. Knudson (Nekrogoblikon) estherlimonesart […]
2019 was the year of comebacks in the music world, we saw the returns of massive bands, cult favorites, and underground bands alike. This epidemic did not spare the deathcore scene, as we saw returns for bands we thought we’d never see again, like Annotations Of An Autopsy and And Hell Followed With. The whole year I was hoping we would see the return of the mighty Beneath The Massacre, and just when I thought it would never happen, on November 29th they announced their new album Fearmonger, and now it is finally here. […]
Aversions Crown pretty make takes the sci fi death metal concept started by Nocturnus and applies it to deathcore. It’s a great way to create an alternative to the norm which in the case of deathcore, is a shitload of generic releases. They stand out to me with the spacey elements mixing up what could have been a more typical sound. They’re kind of the Australian equivalent of Rings Of Saturn and one of the few Brisbane based bands to sign to a major label, having caught the attention of Nuclear Blast.
An album a decade in the making and carrying influences from across a length of time, making for a pretty unique combination of melodic death metal and technical death metal, though with a blackened touch. The riffs on this one are addictive and varied but never without a sense of outlandish melody. This one will absolutely slap your ears about and demand many listens. Emergence comes out on the 10th of April. […]
Album art is such an important piece of music in 2019, the way we find music usually starts with the album artwork as the first point of contact. On Bandcamp new arrivals, social posts, at the record store and listicles just like this one – the covers are key. Despite how important art is to music, the majority of album posting on the internet does not credit the artist. So here is 25 of my favorite album covers from 2019, with artist credit and links – please follow these artists. […]
This list isn’t pride in Australia as much as it is a list celebrating musicians who despite being Australians, managed to successfully create and distribute their music. There’s a lot of barriers to musicians here due to a fucked economy, poor employment availability and terrible telecommunications infrastructure. So these bands deserve praise and attention for having the ability to create potent art in this modern western culture, even at the risk of crippling debt, or even worse, no one hearing it. […]