Carcassbomb's Reviews

Microdose: Venom Prison, Necropanther, Descent & Harbinger Of Storms

Four good albums, four short reviews. This week there’s almost a theme with double death/hardcore. Throw in some blackened thrash and epic synth doom and you’ve got a good time. If you dig all four of these then hit me up for a sweet high five, because you’re a cool person. Also I do this every week but I keep having to check the previous one to remember how to format it. Mobile users, tilt that phone! Seriously, or it will appear jumbled… next week I’ll probably put all the images on the one side… lol. […]

Aussie metal

Interview: Brendan Auld (Snorlax, Descent & A Whole Lot More)

This week I got the chance to talk to one of Brisbane’s busiest but chillest musicians, Brendan Auld who is in a lot of great projects. He had a noticeable impact on the global underground with his recent release II by Snorlax but he is also a part of the awesome death/hardcore band Descent who are opening for Cattle Decapitation and Revocation in Brisbane on the 13th of Feb, Tickets Here. The following interview was transcribed from a phone call I had with Brendan and has been edited for presentation. It’s quite an insightful look into the motivations of the man behind Snorlax, a project that due to it’s dark sound and visual aesthetic along with the name, raised some eyebrows and perhaps even caused confusion. […]

2019 Albums

Album Review: Blood Incantation – Hidden History Of The Human Race 9.5 (Death Metal)

The hype is insane on this one, so I’m excited for everyone else as I listen to Blood Incantation’s new album Hidden History of the Human Race for a pre-release review. The moment I pressed play the silence was broken so abruptly that it legitimately frightened me, so early signs are promising. I also have a fondness for bands that use long and mysterious titles and track names which Blood Incantation understand and deliver on. Cosmetically The Hidden History Of The Human Race is top notch. […]

2020 Albums

Album Review: Snorlax – II 8.5 (Black Metal)

Snorlax, besides the bubbly pokemon, is a not so bubbly blackened death solo project created by Brandon Auld, who is an Australian metal machine from my neck of the shit-woods Brisbane. He’s involved in numerous projects such as the death/hardcore band Descent and recording/Mixing as Black Blood Audio. Brandon also joined Siberian Hell Sounds and started Consumed in 2018, then started up Necroseptic and did a split as Snorlax in 2019. How do you know when you’re done? There’s a methodical nature to the creative process that ferments over years and almost always starts with a demo, from barebones to the whole damn skeleton, you can see the vision building. This is especially true with his solo project Snorlax which will confront you as harshly as any full band would dare. […]

2020 Albums

Album Review: Atavisma/Void Rot – Split 9 (Death Doom)

Filthy, just filthy. These two bands need to wash their mouths out with soap or something. This is stupidly heavily in a really despondent and grimy way. This one is going to be an easy favorite with it’s well designed artwork and two extremely dark bands putting down three tracks of consistently suffocating death doom. Real fucking death doom, like the old school swedish stuff that started everything you love about the genre. Forget the melody, forget the melancholy, this is death and this is fucking doom. This one will be released by Everlasting Spew Records on the 7th of February on CD and as well a upcoming vinyl release. […]

Aussie Metal Top 25 of 2019

This list isn’t pride in Australia as much as it is a list celebrating musicians who despite being Australians, managed to successfully create and distribute their music. There’s a lot of barriers to musicians here due to a fucked economy, poor employment availability and terrible telecommunications infrastructure. So these bands deserve praise and attention for having the ability to create potent art in this modern western culture, even at the risk of crippling debt, or even worse, no one hearing it. […]